Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 171
... necessary to the attainment of this art — an art much more difficult than it is generally supposed to be . Enunciation : or The Management of the Voice As it must be the chief object of the actress to be heard distinctly in all parts of ...
... necessary to the attainment of this art — an art much more difficult than it is generally supposed to be . Enunciation : or The Management of the Voice As it must be the chief object of the actress to be heard distinctly in all parts of ...
Página 517
... necessary feeling . In other words , this work consists in finding and developing necessary feelings , but not in their outer reproduction . We may call this the actor's " homework " -the preparation of the palette , and supplying it ...
... necessary feeling . In other words , this work consists in finding and developing necessary feelings , but not in their outer reproduction . We may call this the actor's " homework " -the preparation of the palette , and supplying it ...
Página 556
... necessary to be cautious in studying elocution and gesticulation , lest they become our masters instead of our servants . These necessary but dangerous ingre- dients must be administered and taken in homeopathic doses , or the patient ...
... necessary to be cautious in studying elocution and gesticulation , lest they become our masters instead of our servants . These necessary but dangerous ingre- dients must be administered and taken in homeopathic doses , or the patient ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York