Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 201
... nature " does not correspond with ours : that is the whole truth of the matter . We must also make reserves as to the German conception of nature , unnaturally tearful , resembling in its philosophic affectations the " nature " of ...
... nature " does not correspond with ours : that is the whole truth of the matter . We must also make reserves as to the German conception of nature , unnaturally tearful , resembling in its philosophic affectations the " nature " of ...
Página 280
... Nature ! I must perceive this exact symmetry of all its relationships and this very beauty . So it is nature if a thing is so created that the onlooker feels : Here there is nothing too much , nothing too little - here nothing is ...
... Nature ! I must perceive this exact symmetry of all its relationships and this very beauty . So it is nature if a thing is so created that the onlooker feels : Here there is nothing too much , nothing too little - here nothing is ...
Página 346
... nature , but only to represent nature sublimated into the ideal . The nearer the approach to every - day reality implied by the author in his characters and language the closer the coat - and - waist - coat realism of the drama -the ...
... nature , but only to represent nature sublimated into the ideal . The nearer the approach to every - day reality implied by the author in his characters and language the closer the coat - and - waist - coat realism of the drama -the ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York