Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Dentro del libro
Resultados 1-3 de 77
Página 219
... movement be accompanied by an internal state of awareness peculiar to the movement being done . Knowledge and mastery of the movements of the body must not , any more than those of the movements of the face , grow out of imitation of ...
... movement be accompanied by an internal state of awareness peculiar to the movement being done . Knowledge and mastery of the movements of the body must not , any more than those of the movements of the face , grow out of imitation of ...
Página 265
... movement , to make the movements of grace familiar to the arms , but not in the belief that acting itself consists in nothing more than in always describing such beautiful lines in the same direction . Away therefore with these ...
... movement , to make the movements of grace familiar to the arms , but not in the belief that acting itself consists in nothing more than in always describing such beautiful lines in the same direction . Away therefore with these ...
Página 387
... movements that the eye sees the nobler movements that the heart sees , the rhythmical movements that seem to flow up into the ... movement . But an art which smothers these things with bad painting , with innumerable garish colors , with ...
... movements that the eye sees the nobler movements that the heart sees , the rhythmical movements that seem to flow up into the ... movement . But an art which smothers these things with bad painting , with innumerable garish colors , with ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York