Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Dentro del libro
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Página xiii
... important director - teacher - guru , who is the star if there is one , these actors are taking upon themselves the rediscovery of theatre in our time . As we have moved toward what Jerzy Grotowski provocatively calls the " poor theatre ...
... important director - teacher - guru , who is the star if there is one , these actors are taking upon themselves the rediscovery of theatre in our time . As we have moved toward what Jerzy Grotowski provocatively calls the " poor theatre ...
Página 596
... important than either . Mere beauty is unimportant ; in many cases it proves a genuine handicap . Beau- tiful women seldom want to act . They are afraid of emotion and they do not try to extract anything from a character that they are ...
... important than either . Mere beauty is unimportant ; in many cases it proves a genuine handicap . Beau- tiful women seldom want to act . They are afraid of emotion and they do not try to extract anything from a character that they are ...
Página 634
... important ingredients of acting . That , then , is a practical application of this process of attempting to achieve the desired feeling in the part at all times . It is a most important aspect of the actor's private work . After all ...
... important ingredients of acting . That , then , is a practical application of this process of attempting to achieve the desired feeling in the part at all times . It is a most important aspect of the actor's private work . After all ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York