Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Dentro del libro
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Página 9
... imitation ; no one man can imitate many things as well as he would imitate a single one ? He cannot . Then the same person will hardly be able to play a serious part in life , and at the same time to be an imitator and imitate many ...
... imitation ; no one man can imitate many things as well as he would imitate a single one ? He cannot . Then the same person will hardly be able to play a serious part in life , and at the same time to be an imitator and imitate many ...
Página 364
... imitation is its differentia . Acting is imitation ; when it ceases to be imitation it ceases to be acting and becomes something else oratory perhaps , perhaps ballet - dancing or posturing . Everyone knows that the actor is not nec ...
... imitation is its differentia . Acting is imitation ; when it ceases to be imitation it ceases to be acting and becomes something else oratory perhaps , perhaps ballet - dancing or posturing . Everyone knows that the actor is not nec ...
Página 561
... imitation seems to be used as a slur upon the actor alone . The painter and the sculptor go to Italy to study the old masters , and are praised for their good copies after this or that one . They are not censured for imitation ; and why ...
... imitation seems to be used as a slur upon the actor alone . The painter and the sculptor go to Italy to study the old masters , and are praised for their good copies after this or that one . They are not censured for imitation ; and why ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York