Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 280
... human beings , their passions and their deeds . The actor brings the portrait to life through the human beings he represents in his roles . Hence nature on the stage means representation of human beings . Represen- tation of human ...
... human beings , their passions and their deeds . The actor brings the portrait to life through the human beings he represents in his roles . Hence nature on the stage means representation of human beings . Represen- tation of human ...
Página 281
... human beings contributes little that is useful under the present conditions of the German theatre , for if he does ... human beings finds himself obliged to work . Of course he must work - and this necessity to work destroys his ...
... human beings contributes little that is useful under the present conditions of the German theatre , for if he does ... human beings finds himself obliged to work . Of course he must work - and this necessity to work destroys his ...
Página 313
... human , " " you can't change human nature , " and so on . Both emo- tionally and intellectually he needs to decide his attitude to his scene and his part . The change demanded of the actor is not a cold and mechanical operation : art ...
... human , " " you can't change human nature , " and so on . Both emo- tionally and intellectually he needs to decide his attitude to his scene and his part . The change demanded of the actor is not a cold and mechanical operation : art ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York