Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 263
... feeling is something internal of which we can only judge by its external signs . Now it is possible that certain outer things in the build of a body do not permit of these tokens or else weaken them and make them dubious . An actor may ...
... feeling is something internal of which we can only judge by its external signs . Now it is possible that certain outer things in the build of a body do not permit of these tokens or else weaken them and make them dubious . An actor may ...
Página 516
... feeling is necessary for a certain part of his role , the actor tries to find in his " affective memory " a recollection similar to that particular feeling . He may use all kinds of means in order to bring that feeling to life ...
... feeling is necessary for a certain part of his role , the actor tries to find in his " affective memory " a recollection similar to that particular feeling . He may use all kinds of means in order to bring that feeling to life ...
Página 517
... feelings : an inner struggle between the desire to find out the contents of the letter by reading it and a feeling of respect toward her that wouldn't allow him to . Another case when arriving at the theatre he found his seat occupied ...
... feelings : an inner struggle between the desire to find out the contents of the letter by reading it and a feeling of respect toward her that wouldn't allow him to . Another case when arriving at the theatre he found his seat occupied ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York