Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Dentro del libro
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Página 29
... face . With the face we show our- selves suppliant , menacing , soothing , sad , cheerful , proud , humble , on the face men hang as it were , and fix their gaze and entire attention on it , even before we begin to speak , by the face ...
... face . With the face we show our- selves suppliant , menacing , soothing , sad , cheerful , proud , humble , on the face men hang as it were , and fix their gaze and entire attention on it , even before we begin to speak , by the face ...
Página 115
... face somewhat preceded her action , as the latter did her words , her face ever expressing the passions ; not like the actresses of late times , who are afraid of putting their faces out of the form of non - meaning , lest they should ...
... face somewhat preceded her action , as the latter did her words , her face ever expressing the passions ; not like the actresses of late times , who are afraid of putting their faces out of the form of non - meaning , lest they should ...
Página 197
... face suits tragedy , or , at most , serious comedy . An- other face , bristling with queer irregularities , is out of place save in farce . Happy indeed are these actors if their physique which forces them into a certain line allows ...
... face suits tragedy , or , at most , serious comedy . An- other face , bristling with queer irregularities , is out of place save in farce . Happy indeed are these actors if their physique which forces them into a certain line allows ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York