Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 35
... drama was moved from the choir of the church to the nave , and from the nave to the church porch . The intrusion of secular humor and the substitution of vernacular prose for the Latin chant forced the religious drama out of the ...
... drama was moved from the choir of the church to the nave , and from the nave to the church porch . The intrusion of secular humor and the substitution of vernacular prose for the Latin chant forced the religious drama out of the ...
Página 41
... drama during the sixteenth and seventeenth centuries . The anonymous , religious , and allegorical medieval drama was as inter- national as the church out of which it grew , but the drama of the sixteenth century , despite the common ...
... drama during the sixteenth and seventeenth centuries . The anonymous , religious , and allegorical medieval drama was as inter- national as the church out of which it grew , but the drama of the sixteenth century , despite the common ...
Página 693
... Drama Review , IX , Fall , 1964 . RICHARDSON , TONY . " An Account of the Actors Studio : The Method and Why ... Drama . New York : Atheneum , 1964 . The Playwright as Thinker : A Study of Drama in Modern Times . New York : Reynal and ...
... Drama Review , IX , Fall , 1964 . RICHARDSON , TONY . " An Account of the Actors Studio : The Method and Why ... Drama . New York : Atheneum , 1964 . The Playwright as Thinker : A Study of Drama in Modern Times . New York : Reynal and ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York