Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 409
... complete devotion ; I've never thought of myself as quite the same actor as he is , not the same sort of actor . I've always thought that we were the reverse of the same coin , perhaps ... the top half John , all spiritual , all ...
... complete devotion ; I've never thought of myself as quite the same actor as he is , not the same sort of actor . I've always thought that we were the reverse of the same coin , perhaps ... the top half John , all spiritual , all ...
Página 485
... complete the comprehensive work he had planned on the art of acting . Rough notes and fragments remained at the time of his death . The Soviet government appointed a special commission to organize the 12,000 manu- scripts left by him ...
... complete the comprehensive work he had planned on the art of acting . Rough notes and fragments remained at the time of his death . The Soviet government appointed a special commission to organize the 12,000 manu- scripts left by him ...
Página 515
... complete spiritual ease , concentrate on your primary feelings : seeing , hearing , feeling , smelling , and taste ( the first three with real objects , the last two with imaginary ones ) . 2. Remember all the details of the day and ...
... complete spiritual ease , concentrate on your primary feelings : seeing , hearing , feeling , smelling , and taste ( the first three with real objects , the last two with imaginary ones ) . 2. Remember all the details of the day and ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York