Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Dentro del libro
Resultados 1-3 de 88
Página 54
... comedian provokes laughter but is not a buffoon ; for the essence of comedy is not to cause laughter but to en- tertain by means of marvellous imaginings in the realm of history and poetry . For who is so silly that he does not know the ...
... comedian provokes laughter but is not a buffoon ; for the essence of comedy is not to cause laughter but to en- tertain by means of marvellous imaginings in the realm of history and poetry . For who is so silly that he does not know the ...
Página 110
... comedy . There the laws of action give them such free , and almost unlimited liberties , to play and wanton with nature , that the voice , look , and gesture of a comedian may be as various as the manners and faces of the whole mankind ...
... comedy . There the laws of action give them such free , and almost unlimited liberties , to play and wanton with nature , that the voice , look , and gesture of a comedian may be as various as the manners and faces of the whole mankind ...
Página 320
... comedy roles as interesting as serious ones . They have to cover the same broad range of emotional nuances as serious parts . As Mother Blitzer I used the Saxon dialect not really for the sake of comedy but to indicate the locale ...
... comedy roles as interesting as serious ones . They have to cover the same broad range of emotional nuances as serious parts . As Mother Blitzer I used the Saxon dialect not really for the sake of comedy but to indicate the locale ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York