Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 219
... body . But this does not mean that , by appropriate methods , we are going to train athletes . Anyway , that would be impossible for us . Our aim is not to develop a bodily attitude or affectation of any kind , to create aesthetic ...
... body . But this does not mean that , by appropriate methods , we are going to train athletes . Anyway , that would be impossible for us . Our aim is not to develop a bodily attitude or affectation of any kind , to create aesthetic ...
Página 263
... body do not permit of these tokens or else weaken them and make them dubious . An actor may have a certain cast of features , certain gestures , a certain intonation , with which we are accustomed to associate quite different sentiments ...
... body do not permit of these tokens or else weaken them and make them dubious . An actor may have a certain cast of features , certain gestures , a certain intonation , with which we are accustomed to associate quite different sentiments ...
Página 272
... body must be completely in his control so that he can make use of each member for the desired expression , freely , harmoniously , and gracefully . 37 Let the position of the body be erect , the chest up , the upper half of the arms to ...
... body must be completely in his control so that he can make use of each member for the desired expression , freely , harmoniously , and gracefully . 37 Let the position of the body be erect , the chest up , the upper half of the arms to ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York