Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 386
... beauty of speech and poetry on the stage , and simplicity in gesture and action . But the Abbey , despite Yeats ' desire for a poetic theatre , became the home of realistic Irish drama . Yeats turned from the public theatre to create a ...
... beauty of speech and poetry on the stage , and simplicity in gesture and action . But the Abbey , despite Yeats ' desire for a poetic theatre , became the home of realistic Irish drama . Yeats turned from the public theatre to create a ...
Página 395
... beauty of sublimated human emotion ; that is the beauty which properly pertains to drama . Without this and its complements of wit and humor , drama will die , and neither brains in the playwright nor the splashing of paint will avail ...
... beauty of sublimated human emotion ; that is the beauty which properly pertains to drama . Without this and its complements of wit and humor , drama will die , and neither brains in the playwright nor the splashing of paint will avail ...
Página 596
... beauty is more essential than magnetism . But if by success you mean all that is implied by the magical word Art - success in the sense that Bernhardt , Duse and Ellen Terry are successes I should say most emphatically the reverse . And ...
... beauty is more essential than magnetism . But if by success you mean all that is implied by the magical word Art - success in the sense that Bernhardt , Duse and Ellen Terry are successes I should say most emphatically the reverse . And ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York