Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Dentro del libro
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Página 302
... audience . Now sit down next to me . Think of me not as a director but as a man sitting in the audience — the man for whom you are going to play . Tell me of your hopes and expectations concerning your play , and what you think the ...
... audience . Now sit down next to me . Think of me not as a director but as a man sitting in the audience — the man for whom you are going to play . Tell me of your hopes and expectations concerning your play , and what you think the ...
Página 303
... audience and to lose the fears which every young actor ex- periences . Do you think such a device is necessary ? I ... audience to be convinced ? It is not true that your center of attention is in the center of the stage . Since you are ...
... audience and to lose the fears which every young actor ex- periences . Do you think such a device is necessary ? I ... audience to be convinced ? It is not true that your center of attention is in the center of the stage . Since you are ...
Página 645
... Audience The role of the audience must become a concrete part of theatre training . For the most part , it is sadly ignored . Time and thought are given to the place of the actor , set designer , director , technician , house manager ...
... Audience The role of the audience must become a concrete part of theatre training . For the most part , it is sadly ignored . Time and thought are given to the place of the actor , set designer , director , technician , house manager ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York