English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
Dentro del libro
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Página 180
... tion , kindred to that which was before the subject of contempla- tion , is gradually produced , and does itself actually exist in the 700 mind . In this mood successful composition generally begins , and in a mood similar to this it is ...
... tion , kindred to that which was before the subject of contempla- tion , is gradually produced , and does itself actually exist in the 700 mind . In this mood successful composition generally begins , and in a mood similar to this it is ...
Página 185
... tion whatsoever . A language was thus insensibly produced , 895 differing materially from the real language of men in any situa- tion . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of ...
... tion whatsoever . A language was thus insensibly produced , 895 differing materially from the real language of men in any situa- tion . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of ...
Página 238
... tion , and poetry ceases to be expressed upon them . Comedy loses its ideal universality : wit succeeds to humour ; we laugh 505 from self - complacency and triumph , instead of pleasure ; malignity , sarcasm , and contempt , succeed to ...
... tion , and poetry ceases to be expressed upon them . Comedy loses its ideal universality : wit succeeds to humour ; we laugh 505 from self - complacency and triumph , instead of pleasure ; malignity , sarcasm , and contempt , succeed to ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 131 |
Preface to Lyrical Ballads | 162 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneas Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse cause character Chaucer Cicero classics comedy composition Crites criticism Dares Phrygius delight diction divine doth drama Dryden effect emotion English Ennius Eugenius Euripides excellent express faults feelings French genius give Greek hath Homer honour Horace human imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner mean Metaphysical Poets metre metrical mind modern moral nature never object observed Ovid Paradise Lost passions perfection perhaps persons Petrarch philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes Sejanus sense Shakespeare soul speak spirit stage stanza style things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write