English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 318
... thought is fanciful or superficial -- the man being as immortal as the bird , ' etc. That the thought is fallaci- ous witnesses , of course , to the intensity of the wish that fathered 235 it . Keats entertains at one and the same time ...
... thought is fanciful or superficial -- the man being as immortal as the bird , ' etc. That the thought is fallaci- ous witnesses , of course , to the intensity of the wish that fathered 235 it . Keats entertains at one and the same time ...
Página 376
... thought was richly imaged , and amazingly con- crete— “ sensations rather than thoughts " . 32-7 the punctuation is confusing , but the general tenor is fairly clear : the imagined face of the singer - more beau- tiful than the ...
... thought was richly imaged , and amazingly con- crete— “ sensations rather than thoughts " . 32-7 the punctuation is confusing , but the general tenor is fairly clear : the imagined face of the singer - more beau- tiful than the ...
Página 394
... thought than the mere words at first suggest , but rather that on careful consideration it sinks in his esteem , then it cannot really be the true sublime , if its effect does not outlast the moment of utterance . For what is truly ...
... thought than the mere words at first suggest , but rather that on careful consideration it sinks in his esteem , then it cannot really be the true sublime , if its effect does not outlast the moment of utterance . For what is truly ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 131 |
Preface to Lyrical Ballads | 162 |
Derechos de autor | |
Otras 7 secciones no mostradas
Otras ediciones - Ver todas
English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneas Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse cause character Chaucer Cicero classics comedy composition Crites criticism Dares Phrygius delight diction divine doth drama Dryden effect emotion English Ennius Eugenius Euripides excellent express faults feelings French genius give Greek hath Homer honour Horace human imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner mean Metaphysical Poets metre metrical mind modern moral nature never object observed Ovid Paradise Lost passions perfection perhaps persons Petrarch philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes Sejanus sense Shakespeare soul speak spirit stage stanza style things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write