English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 167
... Reader's permission to apprise him 195 of a few circumstances relating to their style , in order , among other reasons , that he may not censure me for not having performed what I never attempted . The Reader will find that ...
... Reader's permission to apprise him 195 of a few circumstances relating to their style , in order , among other reasons , that he may not censure me for not having performed what I never attempted . The Reader will find that ...
Página 179
... Reader to a height of desirable 665 excitement , then , ( unless the Poet's choice of his metre has been grossly injudicious ) in the feelings of pleasure which the Reader has been accustomed to connect with metre in general , and in ...
... Reader to a height of desirable 665 excitement , then , ( unless the Poet's choice of his metre has been grossly injudicious ) in the feelings of pleasure which the Reader has been accustomed to connect with metre in general , and in ...
Página 184
... Reader will say that he has been pleased by such composition ; and what more can be done for him ? The power of any art is limited ; and he will suspect , that , if it be proposed to furnish him with new friends , that can be only upon ...
... Reader will say that he has been pleased by such composition ; and what more can be done for him ? The power of any art is limited ; and he will suspect , that , if it be proposed to furnish him with new friends , that can be only upon ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 131 |
Preface to Lyrical Ballads | 162 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneas Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse cause character Chaucer Cicero classics comedy composition Crites criticism Dares Phrygius delight diction divine doth drama Dryden effect emotion English Ennius Eugenius Euripides excellent express faults feelings French genius give Greek hath Homer honour Horace human imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner mean Metaphysical Poets metre metrical mind modern moral nature never object observed Ovid Paradise Lost passions perfection perhaps persons Petrarch philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes Sejanus sense Shakespeare soul speak spirit stage stanza style things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write