English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
Dentro del libro
Resultados 1-3 de 35
Página 176
... Poet's own , either peculiar to him as an individual Poet or belonging simply to Poets in general ; to a body of men who , from the circumstance of their compositions being in metre , it 535 is expected will employ a particular language ...
... Poet's own , either peculiar to him as an individual Poet or belonging simply to Poets in general ; to a body of men who , from the circumstance of their compositions being in metre , it 535 is expected will employ a particular language ...
Página 294
... poet's difference from his predecessors , especially his immediate predecessors ; we endeavour to find something that can be isolated in order to be enjoyed . Whereas 35 if we approach a poet without this prejudice we shall often find ...
... poet's difference from his predecessors , especially his immediate predecessors ; we endeavour to find something that can be isolated in order to be enjoyed . Whereas 35 if we approach a poet without this prejudice we shall often find ...
Página 307
... poet and the reflective poet . Tennyson and Browning are poets , and they think ; but they do not feel their thought as immediately as the odour of a rose . 215 A thought to Donne was an experience ; it modified his sen- sibility . When a ...
... poet and the reflective poet . Tennyson and Browning are poets , and they think ; but they do not feel their thought as immediately as the odour of a rose . 215 A thought to Donne was an experience ; it modified his sen- sibility . When a ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 131 |
Preface to Lyrical Ballads | 162 |
Derechos de autor | |
Otras 7 secciones no mostradas
Otras ediciones - Ver todas
English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneas Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse cause character Chaucer Cicero classics comedy composition Crites criticism Dares Phrygius delight diction divine doth drama Dryden effect emotion English Ennius Eugenius Euripides excellent express faults feelings French genius give Greek hath Homer honour Horace human imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner mean Metaphysical Poets metre metrical mind modern moral nature never object observed Ovid Paradise Lost passions perfection perhaps persons Petrarch philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes Sejanus sense Shakespeare soul speak spirit stage stanza style things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write