English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 74
... plot has that uniformity and unity of 935 design in it , which I have commended in the French ; and that is Rollo , or rather , under the name of Rollo , the story of Bas- sianus and Geta in Herodian : there indeed the plot is neither ...
... plot has that uniformity and unity of 935 design in it , which I have commended in the French ; and that is Rollo , or rather , under the name of Rollo , the story of Bas- sianus and Geta in Herodian : there indeed the plot is neither ...
Página 81
... plots ; they are too much alike to please 1200 often ; which we need not the experience of our own stage to justify . As for their new way of mingling mirth with serious plot , I do not , with Lisideius , condemn the thing , though I ...
... plots ; they are too much alike to please 1200 often ; which we need not the experience of our own stage to justify . As for their new way of mingling mirth with serious plot , I do not , with Lisideius , condemn the thing , though I ...
Página 388
... plot does not have unity , as some people think , simply because it deals with a single hero . Many and indeed innumerable things happen to an individual , some of which do not go to make up any unity , and similarly an individual is ...
... plot does not have unity , as some people think , simply because it deals with a single hero . Many and indeed innumerable things happen to an individual , some of which do not go to make up any unity , and similarly an individual is ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 131 |
Preface to Lyrical Ballads | 162 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneas Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse cause character Chaucer Cicero classics comedy composition Crites criticism Dares Phrygius delight diction divine doth drama Dryden effect emotion English Ennius Eugenius Euripides excellent express faults feelings French genius give Greek hath Homer honour Horace human imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner mean Metaphysical Poets metre metrical mind modern moral nature never object observed Ovid Paradise Lost passions perfection perhaps persons Petrarch philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes Sejanus sense Shakespeare soul speak spirit stage stanza style things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write