English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 177
... metre ; for , as it may be 575 proper to remind the Reader , the distinction of metre is regular and uniform , and not , like that which is produced by what is usually called POETIC DICTION , arbitrary , and subject to infinite caprices ...
... metre ; for , as it may be 575 proper to remind the Reader , the distinction of metre is regular and uniform , and not , like that which is produced by what is usually called POETIC DICTION , arbitrary , and subject to infinite caprices ...
Página 219
... Metre in itself is simply a stimulant of the attention , and therefore excites the question : Why is the attention to be thus stimulated ? Now the question cannot be answered by the plea- sure of the metre itself : for this we have ...
... Metre in itself is simply a stimulant of the attention , and therefore excites the question : Why is the attention to be thus stimulated ? Now the question cannot be answered by the plea- sure of the metre itself : for this we have ...
Página 221
... metre the proper form of poetry , and poetry imperfect and defective without metre . Metre therefore having been connected with poetry most often and by a peculiar 1080 fitness , whatever else is combined with metre must , though it be ...
... metre the proper form of poetry , and poetry imperfect and defective without metre . Metre therefore having been connected with poetry most often and by a peculiar 1080 fitness , whatever else is combined with metre must , though it be ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 131 |
Preface to Lyrical Ballads | 162 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneas Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse cause character Chaucer Cicero classics comedy composition Crites criticism Dares Phrygius delight diction divine doth drama Dryden effect emotion English Ennius Eugenius Euripides excellent express faults feelings French genius give Greek hath Homer honour Horace human imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner mean Metaphysical Poets metre metrical mind modern moral nature never object observed Ovid Paradise Lost passions perfection perhaps persons Petrarch philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes Sejanus sense Shakespeare soul speak spirit stage stanza style things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write