English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 233
... manner in 315 which it is worn . A majestic form and graceful motions will express themselves through the most barbarous and tasteless costume . Few poets of the highest class have chosen to exhibit the beauty of their conceptions in ...
... manner in 315 which it is worn . A majestic form and graceful motions will express themselves through the most barbarous and tasteless costume . Few poets of the highest class have chosen to exhibit the beauty of their conceptions in ...
Página 270
... manner . In propor- tion as this high stamp of diction and movement , again , is absent from a poet's style and manner , we shall find , also , that 370 high poetic truth and seriousness are absent from his substance and matter . So ...
... manner . In propor- tion as this high stamp of diction and movement , again , is absent from a poet's style and manner , we shall find , also , that 370 high poetic truth and seriousness are absent from his substance and matter . So ...
Página 283
... manner , but not the accent or the poetic virtue of the highest masters . His genuine criticism of life , when the sheer poet in him speaks , is ironic ; it is not- ' Thou Power Supreme , whose mighty scheme These woes of mine fulfil ...
... manner , but not the accent or the poetic virtue of the highest masters . His genuine criticism of life , when the sheer poet in him speaks , is ironic ; it is not- ' Thou Power Supreme , whose mighty scheme These woes of mine fulfil ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 131 |
Preface to Lyrical Ballads | 162 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneas Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse cause character Chaucer Cicero classics comedy composition Crites criticism Dares Phrygius delight diction divine doth drama Dryden effect emotion English Ennius Eugenius Euripides excellent express faults feelings French genius give Greek hath Homer honour Horace human imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner mean Metaphysical Poets metre metrical mind modern moral nature never object observed Ovid Paradise Lost passions perfection perhaps persons Petrarch philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes Sejanus sense Shakespeare soul speak spirit stage stanza style things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write