English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 21
... imitation whereof poetry is , hath the most conveniency to nature of all other ; insomuch that , as Aristotle saith , those 715 things which in themselves are horrible , as cruel battles , unnatural monsters , are made in poetical imitation ...
... imitation whereof poetry is , hath the most conveniency to nature of all other ; insomuch that , as Aristotle saith , those 715 things which in themselves are horrible , as cruel battles , unnatural monsters , are made in poetical imitation ...
Página 80
... imitation of nature being in the definition play , those which best fulfil that law ought to be este superior to the others . ' Tis true , those beauties of the Fi 1160 poesy are such as will raise perfection higher where it is are not ...
... imitation of nature being in the definition play , those which best fulfil that law ought to be este superior to the others . ' Tis true , those beauties of the Fi 1160 poesy are such as will raise perfection higher where it is are not ...
Página 232
... imitation they identified themselves with the objects of their admiration . Nor let it be objected , that these characters are 300 remote from moral perfection , and that they are by no means to be considered as edifying patterns for ...
... imitation they identified themselves with the objects of their admiration . Nor let it be objected , that these characters are 300 remote from moral perfection , and that they are by no means to be considered as edifying patterns for ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 131 |
Preface to Lyrical Ballads | 162 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneas Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse cause character Chaucer Cicero classics comedy composition Crites criticism Dares Phrygius delight diction divine doth drama Dryden effect emotion English Ennius Eugenius Euripides excellent express faults feelings French genius give Greek hath Homer honour Horace human imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner mean Metaphysical Poets metre metrical mind modern moral nature never object observed Ovid Paradise Lost passions perfection perhaps persons Petrarch philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes Sejanus sense Shakespeare soul speak spirit stage stanza style things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write