English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 299
... emotion is in the dramatic situation to which the speech is pertinent , but that situation 260 alone is inadequate to it . This is , so to speak , the structural emotion , provided by the drama . But the whole effect , the dominant tone ...
... emotion is in the dramatic situation to which the speech is pertinent , but that situation 260 alone is inadequate to it . This is , so to speak , the structural emotion , provided by the drama . But the whole effect , the dominant tone ...
Página 300
... emotion by no means super- 265 ficially evident , have combined with it to give us a new art emotion . It is not in his personal emotions , the emotions provoked by particular events in his life , that the poet is in any way remark ...
... emotion by no means super- 265 ficially evident , have combined with it to give us a new art emotion . It is not in his personal emotions , the emotions provoked by particular events in his life , that the poet is in any way remark ...
Página 301
... emotion in verse , and there is a smaller number of people who can appreciate technical excellence . But very few know when there is an expression of significant emotion , emotion which has its life in the poem and not in the 310 ...
... emotion in verse , and there is a smaller number of people who can appreciate technical excellence . But very few know when there is an expression of significant emotion , emotion which has its life in the poem and not in the 310 ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 131 |
Preface to Lyrical Ballads | 162 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneas Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse cause character Chaucer Cicero classics comedy composition Crites criticism Dares Phrygius delight diction divine doth drama Dryden effect emotion English Ennius Eugenius Euripides excellent express faults feelings French genius give Greek hath Homer honour Horace human imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner mean Metaphysical Poets metre metrical mind modern moral nature never object observed Ovid Paradise Lost passions perfection perhaps persons Petrarch philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes Sejanus sense Shakespeare soul speak spirit stage stanza style things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write