The Theme of Artistic Transformation in the NovelStanford University, 1969 - 456 páginas |
Dentro del libro
Resultados 1-3 de 22
Página 63
... aesthetic fact , expressive activity is not added to the fact of the impressions , but these latter are formed and elaborated by it . The impressions reappear as it were in ex- pression , like water put into a filter , which reappears ...
... aesthetic fact , expressive activity is not added to the fact of the impressions , but these latter are formed and elaborated by it . The impressions reappear as it were in ex- pression , like water put into a filter , which reappears ...
Página 64
... aesthetic fact . There has been a lot of controversy in the past fifty years over the question of openness or life in James's fiction . Poirier obviously finds life , but many critics have complained about the lack of it . Edmund Wilson ...
... aesthetic fact . There has been a lot of controversy in the past fifty years over the question of openness or life in James's fiction . Poirier obviously finds life , but many critics have complained about the lack of it . Edmund Wilson ...
Página 65
Charles Brent Harold. " The aesthetic fact . . . is form , and nothing but form " ; whether or not a novel deals with the subjects of American life or ... aesthetic opportunity and challenge and the life which fed him . But note in 65.
Charles Brent Harold. " The aesthetic fact . . . is form , and nothing but form " ; whether or not a novel deals with the subjects of American life or ... aesthetic opportunity and challenge and the life which fed him . But note in 65.
Contenido
The Artist as Peeping Tom | 18 |
Henry Jamess Allegory of Form and Content | 61 |
Father | 93 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
aesthetic aggressive Ahab Ahab's American artist Aspern Papers banal Bartleby Bellegardes Blithedale Romance Borges character Confidence-Man confrontation Coverdale creative critics Custom-House Daisy describes Dolmance dramatizes Emerson energy environment Eugenie evoked Exit to Brooklyn experience eyes feel fiction FIGURE Finn formless girl give Hawthorne Hawthorne's Henry James Huck Huck's human Humbert implies impulse James's Justine Justine's Kinbote language Last Exit least libertines literature Lolita magic Maisie Melville Melville's Miles Miles Coverdale mind Moby Dick Moby-Dick morality Mysterious Stranger Nabokov narrator nature Newman novel nymphet objects ordinary Pale Fire passage passion passive play pleasure poet Poirier prose puppet-show puppeteer Quilty reader relationship resistance Richard Poirier river Sade Sade's sadistic Saint-Ange Satan says Scarlet Letter scene seems sentence sexual Sherburn's story Strether struggle tells tension things timidity transform Twain verbal vision voice Wayne Booth whale words write York Yvor Winters Zenobia