The Theme of Artistic Transformation in the NovelStanford University, 1969 - 456 páginas |
Dentro del libro
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Página 89
... Emerson . She is thus ironically a sister of Isabel , whom both Richard Chase and Poirier have seen as Emersonian ... Emerson's poet's communing with the Oversoul , have supplied her with the forms necessary to write the Jamesian novel ...
... Emerson . She is thus ironically a sister of Isabel , whom both Richard Chase and Poirier have seen as Emersonian ... Emerson's poet's communing with the Oversoul , have supplied her with the forms necessary to write the Jamesian novel ...
Página 164
... Emerson , even though Emerson's optimism and reliance on natural feeling , and Borges ' cynicism and ironic attitude toward all feeling , would seem to place them at opposite poles . Never- theless , in exposing in his fiction the ...
... Emerson , even though Emerson's optimism and reliance on natural feeling , and Borges ' cynicism and ironic attitude toward all feeling , would seem to place them at opposite poles . Never- theless , in exposing in his fiction the ...
Página 166
... Emerson describes . Winters ' own poems are full of the tension between form and formless , between would - be ... Emerson's poem : Far out of sight forever stands the sea , Bounding the land with pale tranquillity . When a small child ...
... Emerson describes . Winters ' own poems are full of the tension between form and formless , between would - be ... Emerson's poem : Far out of sight forever stands the sea , Bounding the land with pale tranquillity . When a small child ...
Contenido
The Artist as Peeping Tom | 18 |
Henry Jamess Allegory of Form and Content | 61 |
Father | 93 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
aesthetic aggressive Ahab Ahab's American artist Aspern Papers banal Bartleby Bellegardes Blithedale Romance Borges character Confidence-Man confrontation Coverdale creative critics Custom-House Daisy describes Dolmance dramatizes Emerson energy environment Eugenie evoked Exit to Brooklyn experience eyes feel fiction FIGURE Finn formless girl give Hawthorne Hawthorne's Henry James Huck Huck's human Humbert implies impulse James's Justine Justine's Kinbote language Last Exit least libertines literature Lolita magic Maisie Melville Melville's Miles Miles Coverdale mind Moby Dick Moby-Dick morality Mysterious Stranger Nabokov narrator nature Newman novel nymphet objects ordinary Pale Fire passage passion passive play pleasure poet Poirier prose puppet-show puppeteer Quilty reader relationship resistance Richard Poirier river Sade Sade's sadistic Saint-Ange Satan says Scarlet Letter scene seems sentence sexual Sherburn's story Strether struggle tells tension things timidity transform Twain verbal vision voice Wayne Booth whale words write York Yvor Winters Zenobia