The Theme of Artistic Transformation in the NovelStanford University, 1969 - 456 páginas |
Dentro del libro
Resultados 1-3 de 13
Página 21
... Custom - House . Coming from a spirited narrator , such as Melville's Ishmael , this remark would be formidable . But the Custom - House inspector's seizing our button only emphasizes his timidity . He only plays at being aggressive ...
... Custom - House . Coming from a spirited narrator , such as Melville's Ishmael , this remark would be formidable . But the Custom - House inspector's seizing our button only emphasizes his timidity . He only plays at being aggressive ...
Página 22
... Custom - House , " the story of the artist begun there , continue as an insistent undercurrent in the main part of the story . For instance , there is great admiration , perhaps even envy , in the early description of Pearl at play . At ...
... Custom - House , " the story of the artist begun there , continue as an insistent undercurrent in the main part of the story . For instance , there is great admiration , perhaps even envy , in the early description of Pearl at play . At ...
Página 23
... Custom - House , and in letting her voice serve " a multitude of imaginary personages " she is doing what the narrator must do in telling the present tale . But somehow Pearl has too much of a good thing , and the narrator must qualify ...
... Custom - House , and in letting her voice serve " a multitude of imaginary personages " she is doing what the narrator must do in telling the present tale . But somehow Pearl has too much of a good thing , and the narrator must qualify ...
Contenido
The Artist as Peeping Tom | 18 |
Henry Jamess Allegory of Form and Content | 61 |
Father | 93 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
aesthetic aggressive Ahab Ahab's American artist Aspern Papers banal Bartleby Bellegardes Blithedale Romance Borges character Confidence-Man confrontation Coverdale creative critics Custom-House Daisy describes Dolmance dramatizes Emerson energy environment Eugenie evoked Exit to Brooklyn experience eyes feel fiction FIGURE Finn formless girl give Hawthorne Hawthorne's Henry James Huck Huck's human Humbert implies impulse James's Justine Justine's Kinbote language Last Exit least libertines literature Lolita magic Maisie Melville Melville's Miles Miles Coverdale mind Moby Dick Moby-Dick morality Mysterious Stranger Nabokov narrator nature Newman novel nymphet objects ordinary Pale Fire passage passion passive play pleasure poet Poirier prose puppet-show puppeteer Quilty reader relationship resistance Richard Poirier river Sade Sade's sadistic Saint-Ange Satan says Scarlet Letter scene seems sentence sexual Sherburn's story Strether struggle tells tension things timidity transform Twain verbal vision voice Wayne Booth whale words write York Yvor Winters Zenobia