Imitation of Life: Douglas Sirk, Director

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Rutgers University Press, 1991 - 346 páginas
Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959).

Because of the special stamp he put on his melodramas, Sirk's best works transcend the constraints of their genre. In them, he both exemplified and critiqued postwar, conservative, materialistic life and its false value systems. There is much in Sirk, particularly in Imitation of Life, that is of interest to us today. The time seems to be right for a new look at the film, its reception amidst scandal over the affairs of its star--Lana Turner--the relationships between its mothers and daughters, the tensions between its men and its women, the friendships between its black and white women, and the ambiguous, controversial approach of Sirk to his material.

This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.

 

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Contenido

The Black
4
Introduction Four Films of Lana Turner
186
Interviews
219
The Continuity Script 43 Sirk on Sirk
226
Source Reviews
237
Two Women in Particular 177 Six Films by Douglas Sirk
244
Paul Willemen Troubling Other 325
247
Production The Films of Douglas Sirk
251
Whats the Matter with Sarah
302
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LUCY FISCHER is associate professor of English and director of the Film Studies Program at the University of Pittsburgh. She has published widely on film and is the author of Shot-Countershot: Film Tradition and Women's Cinema.

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