English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones Oxford University Press, 1947 - 394 páginas |
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Página 172
... write best , but which is most proper for the subject on which he writes . ' First , give me leave , Sir , to remember you , that the argument against which you raised this objection was only secondary : it was built on this hypothesis ...
... write best , but which is most proper for the subject on which he writes . ' First , give me leave , Sir , to remember you , that the argument against which you raised this objection was only secondary : it was built on this hypothesis ...
Página 173
... write scurvily out of rhyme , and worse in it . But the first of these judgements is no where to be found , and the latter is not fit to write at all . To speak therefore of judgement as it is in the best poets ; they who have the ...
... write scurvily out of rhyme , and worse in it . But the first of these judgements is no where to be found , and the latter is not fit to write at all . To speak therefore of judgement as it is in the best poets ; they who have the ...
Página 380
... writer he had this peculiarity , that he did not write his pieces first rudely , and then correct them , but laboured every line as it arose in the train of composi- tion ; and he had a notion not very peculiar , that he could not write ...
... writer he had this peculiarity , that he did not write his pieces first rudely , and then correct them , but laboured every line as it arose in the train of composi- tion ; and he had a notion not very peculiar , that he could not write ...
Contenido
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written