English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones Oxford University Press, 1947 - 394 páginas |
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Página 70
... once lost himself , must either give off unsatisfied , or uncertainly cast back to retrieve the escaped sense , and to find way again into this matter . Methinks we should not so soon yield our consents captive to the authority of ...
... once lost himself , must either give off unsatisfied , or uncertainly cast back to retrieve the escaped sense , and to find way again into this matter . Methinks we should not so soon yield our consents captive to the authority of ...
Página 153
... once . The action of the play is entirely one ; the end or aim of which is the settling Morose's estate on Dauphine . The intrigue of it is the greatest and most noble of any pure unmixed comedy in any language ; you see in it many ...
... once . The action of the play is entirely one ; the end or aim of which is the settling Morose's estate on Dauphine . The intrigue of it is the greatest and most noble of any pure unmixed comedy in any language ; you see in it many ...
Página 243
... once , and has only a confused idea of the whole , and not a distinct idea of all its parts . If , on the contrary , you should suppose an animal of ten thousand furlongs in length , the eye would be so filled CRITICISMS ON PARADISE ...
... once , and has only a confused idea of the whole , and not a distinct idea of all its parts . If , on the contrary , you should suppose an animal of ten thousand furlongs in length , the eye would be so filled CRITICISMS ON PARADISE ...
Contenido
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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Términos y frases comunes
action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written