English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones Oxford University Press, 1947 - 394 páginas |
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Página 161
... fancy , which would extend itself too far on every subject , did not the labour which is required to well - turned and polished rhyme set bounds to it . Yet this argument , if granted , would only prove that we may write better in verse ...
... fancy , which would extend itself too far on every subject , did not the labour which is required to well - turned and polished rhyme set bounds to it . Yet this argument , if granted , would only prove that we may write better in verse ...
Página 172
... fancy ; the sense there being commonly confined to the couplet , and the words so ordered that the rhyme naturally follows them , not they the rhyme . To this you answered , that it was no argument to the question in hand ; for the ...
... fancy ; the sense there being commonly confined to the couplet , and the words so ordered that the rhyme naturally follows them , not they the rhyme . To this you answered , that it was no argument to the question in hand ; for the ...
Página 261
... fancy , because he has no pattern to follow in it , and must work altogether out of his own invention . There is a very odd turn of thought required for this sort of writing , and it is impossible for a poet to succeed in it , who has ...
... fancy , because he has no pattern to follow in it , and must work altogether out of his own invention . There is a very odd turn of thought required for this sort of writing , and it is impossible for a poet to succeed in it , who has ...
Contenido
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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Términos y frases comunes
action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written