English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones Oxford University Press, 1947 - 394 páginas |
Dentro del libro
Resultados 1-3 de 47
Página 52
... French , and we , never almost fail of . Lastly , even the very rhyme itself the Italian cannot put in the last syllable , by the French named the ' masculine rhyme ' , but still in the next to the last , which the French call the ...
... French , and we , never almost fail of . Lastly , even the very rhyme itself the Italian cannot put in the last syllable , by the French named the ' masculine rhyme ' , but still in the next to the last , which the French call the ...
Página 147
... French Diego , who is heard from within , drolling and breaking many a miserable conceit on the subject of his sad condition . In this ridiculous manner the play goes forward , the stage being never empty all the while : so that the ...
... French Diego , who is heard from within , drolling and breaking many a miserable conceit on the subject of his sad condition . In this ridiculous manner the play goes forward , the stage being never empty all the while : so that the ...
Página 148
... French . We have borrowed nothing from them ; our plots are weaved in English looms : we endeavour therein to follow the variety and greatness of characters which are derived to us from Shakespeare and Fletcher ; the copiousness and ...
... French . We have borrowed nothing from them ; our plots are weaved in English looms : we endeavour therein to follow the variety and greatness of characters which are derived to us from Shakespeare and Fletcher ; the copiousness and ...
Contenido
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
Otras 10 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written