Plays on the PassionsBroadview Press, 2001 M02 19 - 469 páginas Baillie’s eminently readable dramas stand at the crossroads of the Scottish Enlightenment and early Romanticism, and compellingly engage with questions of women’s rights. Her exploration of the passions, first published in 1798, is here reissued with a wealth of contextual materials including “The Introductory Discourse,” Baillie’s own brand of feminist literary criticism. The three plays included here are “Count Basil: A Tragedy,” and “The Tryal: A Comedy,” which show love from opposing perspectives; and “De Monfort: A Tragedy,” which explores the drama of hate. Among other appendices, the Broadview edition includes materials on the contemporary philosophical understanding of the passions, and contemporary reviews. Baillie’s work is enjoying a revival of interest. She lived a long life, (1762-1851), and had a wide circle of literary friends including Maria Edgeworth and Sir Walter Scott (who termed her a “female Shakespeare”). Scottish born, she moved to England in her twenties where she then resided. Her Plays on the Passions, alternatively known as A Series of Plays in which it is Attempted to Delineate the Stronger Passions of the Mind—Each Passion being the Subject of a Tragedy and Comedy was produced in three volumes between 1798 and 1812. The first volume created quite a stir amongst the literary circles of London and Edinburgh when introduced anonymously. The speculation into the authorship concluded two years later when Baillie came forward as the writer of the collection, thereby causing a subsequent sensation since no one had considered the shy spinster a candidate in the mystery. |
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... scenes so often filled with courtiers , lawyers , citizens , Frenchmen , & c . & c . With all the characteristicks of their respective conditions , such as they have been represented from time immemorial . This has intro- duced a great ...
Joanna Baillie Peter Duthie. scene of this kind , will have a more powerful effect in repress- ing similar intemperance in ... scenes upon the mind is very much weakened . This general appropriation of them has tempted our less - skilful ...
... scenes which interest the curiosity , from the memorable persons or transactions which we have been accustomed to connect with them in the course of our studies , the fancy is more awakened by the actual perception of the scene itself ...
Contenido
Acknowledgements | 9 |
A Brief Chronology | 58 |
Introductory Discourse | 67 |
Derechos de autor | |
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