Plays on the Passions

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Broadview Press, 2001 M02 19 - 469 páginas

Baillie’s eminently readable dramas stand at the crossroads of the Scottish Enlightenment and early Romanticism, and compellingly engage with questions of women’s rights. Her exploration of the passions, first published in 1798, is here reissued with a wealth of contextual materials including “The Introductory Discourse,” Baillie’s own brand of feminist literary criticism. The three plays included here are “Count Basil: A Tragedy,” and “The Tryal: A Comedy,” which show love from opposing perspectives; and “De Monfort: A Tragedy,” which explores the drama of hate. Among other appendices, the Broadview edition includes materials on the contemporary philosophical understanding of the passions, and contemporary reviews.

Baillie’s work is enjoying a revival of interest. She lived a long life, (1762-1851), and had a wide circle of literary friends including Maria Edgeworth and Sir Walter Scott (who termed her a “female Shakespeare”). Scottish born, she moved to England in her twenties where she then resided. Her Plays on the Passions, alternatively known as A Series of Plays in which it is Attempted to Delineate the Stronger Passions of the Mind—Each Passion being the Subject of a Tragedy and Comedy was produced in three volumes between 1798 and 1812. The first volume created quite a stir amongst the literary circles of London and Edinburgh when introduced anonymously. The speculation into the authorship concluded two years later when Baillie came forward as the writer of the collection, thereby causing a subsequent sensation since no one had considered the shy spinster a candidate in the mystery.

Dentro del libro

Contenido

Acknowledgements
9
A Brief Chronology
58
Introductory Discourse
67
Derechos de autor

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Acerca del autor (2001)

Joanna Baillie was born in Glasgow, Scotland, in 1762, into a serious and religious family. She was educated in a girls' boarding school. Baillie moved to London in 1783, when her brother inherited the school of anatomy and museum founded earlier by their uncle, William Hunter. Although only five of her plays were produced during her lifetime, Joanna Baillie's 22 plays on the passions were published between 1798 and 1812, supposedly initiated a revival of the drama during the romantic period. Baillie's home in Hampstead, which she shared with her mother and unmarried sister, attracted the most famous writers in England, including Coleridge, Byron, Southey, Landor, and her staunchest advocate, Sir Walter Scott. According to the introduction that she wrote to the plays, each play was written to demonstrate the inner struggle of an individual with a dominating passion. Although actors may have found the opportunity in her plays to present emotions such as boundless anger, jealousy, pride, and revenge, plays about single passions were too monotonous, subtle, introspective, and philosophical for contemporary taste. While the plays were written in unfashionable blank verse, the psychology was interesting-to see how people with dominant passions respond to crises, the way in which they reveal or fail to reveal intense feelings in intimate situations. Baillie contributed to the development of a secular morality suited to a stage from which religion and religious texts had been banished. In addition, she translated contemporary theories of human behavior into drama. The mystery of Joanna Baillie was how anyone from such a sheltered environment and with such limited experience could conceive of the vast range of material from which she created her dramas. Peter Duthie teaches in the English Department at Mount Royal College, Calgary.

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