"It's eleven o'clock striking by the bell of Saint Paul's. Listen, and you'll hear all the bells in the city jangling."

Both sit silent, listening to the metal voices, near and distant, resounding from towers of various heights, in tones more various than their situations. When these at length cease, all seems more mysterious and quiet than before. One disagreeable result of whispering is, that it seems to evoke an atmosphere of silence, haunted by the ghosts of sound-strange cracks and tickings, the rustling of garments that have no substance in them, and the tread of dreadful feet, that would leave no mark on the sea-sand or the winter snow. So sensitive the two friends happen to be, that the air is full of these phantoms; and the two look over their shoulders by one consent, to see that the door is shut.

"Yes, Tony?" says Mr. Guppy, drawing nearer to the fire, and biting his unsteady thumb-nail. “You were going to say, thirdly?"

"It's far from a pleasant thing to be plotting about a dead man in the room where he died, especially when you happen to live in it."

"But we are plotting nothing against him, Tony."

"May-be not, still I don't like it. Live here by yourself, and see how you like it."

"As to dead men, Tony," proceeds Mr. Guppy, evading this proposal, "there have been dead men in most rooms."

"I know there have; but in most rooms you let them alone, and—and they let you alone," Tony answers.

Mr.

The two look at each other again. Guppy makes a hurried remark to the effect that they may be doing the deceased a service; that he hopes so. There is an oppressive blank, until Mr. Weevle, by stirring the fire suddenly, makes Mr. Guppy start as if his heart had been stirred instead.

"Fah! Here's more of this hateful soot hanging about," says he. "Let us open the window a bit, and get a mouthful of air. It's too close.

He raises the sash, and they both rest on the window-sill, half in and half out of the room. The neighbouring houses are too near, to admit of their seeing any sky without craning their necks and looking up; but lights in frouzy windows here and there, and the rolling of distant carriages, and the new expression that there is of the stir of men, they find to be comfortable. Mr. Guppy, noiselessly tapping on the window-sill, resumes his whispering in quite a light-comedy tone.

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"By-the-bye, Tony, don't forget old Smallweed;" meaning the Younger of that name. "I have not let him into this, you know. That grandfather of his is too keen by half. It runs in the family."

"I remember," says Tony. "I am up to all that."

"And as to Krook," resumes Mr. Guppy. "Now, do you suppose he really has got hold of any other papers of importance, as he has boasted to you, since you have been such allies?"

Tony shakes his head. "I don't know. Can't imagine. If we get through this business without rousing his suspicions, I shall be better informed no doubt. How can I know without seeing them, when he don't know himself? He is always spelling out words from them, and chalking them over the table and the shop-wall, and asking what this is, and what that is; but his whole stock, from beginning to end, may easily be the waste paper he bought it as, for anything I can say. It's a monomania with him, to think he is possessed of documents. He has been going to learn to read them this last quarter of a century, I should judge, from what he tells me."

"How did he first come by that idea, though? that's the question," Mr. Guppy suggests with one eye shut, after a little forensic meditation. "He may have found papers in something he bought, where papers were not supposed to be; and may have got it into his shrewd head, from the manner and place of their concealment, that they are worth something."

Or he may have been taken in, in some pretended bargain. Or he may have been muddled altogether, by long staring at whatever he has got, and by drink, and by hanging about the Lord Chancellor's court and hearing of documents for ever," returns Mr. Weevle.

Mr. Guppy sitting on the window-sill, nodding his head and balancing all these possibilities in his mind, continues thoughtfully to tap it, and clasp it, and measure it with his hand, until he hastily draws his hand away.

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What, in the Devil's name," he says, "is this! Look at my fingers!"

A thick, yellow liquor defiles them, which is offensive to the touch and sight, and more offensive to the smell. A stagnant, sickening oil, with some natural repulsion in it that makes them both shudder.

"What have you been doing here? What have you been pouring out of window?"

"I pouring out of window! Nothing, I swear! Never, since I have been here!" cries the lodger.

And yet look here-and look here! When he brings the candle, here, from the corner of the window-sill, it slowly drips, and creeps away down the bricks; here, lies in a little thick nauseous pool.

"This is a horrible house," says Mr. Guppy, shutting down the window. "Give me some water, or I shall cut my hand off."

He so washes, and rubs, and scrubs, and smells and washes, that he has not long restored himself with a glass of brandy, and stood silently before the fire, when Saint Paul's bell strikes twelve, and all those other bells strike twelve from their towers of various heights in the dark air, and in their many tones. When all is quiet again, the lodger says:

"It's the appointed time at last. Shall I go?"

Mr. Guppy nods, and gives him a "lucky touch" on the back; but not with the washed hand, though it is his right hand.

He goes down-stairs; and Mr. Guppy tries to compose himself, before the fire, for waiting a long time. But in no more than a minute or two the stairs creak, and Tony comes swiftly back.

"Have you got them?"

"Got them! No. The old man's not there." He has been so horribly frightened in the short interval, that his terror seizes the other, who makes a rush at him, and asks loudly, "What's the matter?"

"I couldn't make him hear, and I softly opened the door and looked in. And the burning smell is there-and the soot is there, and the oil is there-and he is not there!"Tony ends this with a groan.

Mr. Guppy takes the light. They go down, more dead than alive, and holding one another, push open the door of the back shop. The cat has retreated close to it, and stands snarlingnot at them; at something on the ground, before the fire. There is very little fire left in the grate, but there is a smouldering suffocating vapour in the room, and a dark greasy coating on the walls and ceiling. The chairs and table, and the bottle so rarely absent from the table, all stand as usual. On one chair-back, hang the old man's hairy cap and coat.

"Look!" whispers the lodger, pointing his friend's attention to these objects with a trembling finger. "I told you so. When I saw him last, he took his cap off, took out the little bundle of old letters, hung his cap on the back of the chair-his coat was there already, for he had pulled that off, before he went to put the shutters up-and I left him turning the letters

over in his hand, standing just where that crumbled black thing is upon the floor.'

Is he hanging somewhere? They look up. No.

"See!" whispers Tony. "At the foot of the same chair, there lies a dirty bit of thin red cord that they tie up pens with. That went round the letters. He undid it slowly, leering and laughing at me, before he began to turn them over, and threw it there. I saw it fall." "What's the matter with the cat?" says Mr. Guppy. "Look at her!"

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Mad, I think. And no wonder, in this evil place."

They advance slowly, looking at all these things. The cat remains where they found her, still snarling at the something on the ground, before the fire and between the two chairs. What is it? Hold up the light.

Here is a small burnt patch of flooring; here is the tinder from a little bundle of burnt paper, but not so light as usual, seeming to be steeped in something; and here is-is it the cinder of a small charred and broken log of wood sprinkled with white ashes, or is it coal? O Horror, he Is here! and this, from which we run away, striking out the light and overturning one another into the street, is all that represents him.

Help, help, help! come into this house for Heaven's sake!

Plenty will come in, but none can help. The Lord Chancellor of that Court, true to his title in his last act, has died the death of all Lord Chancellors in all Courts, and of all authorities in all places under all names soever, where false pretences are made, and where injustice is done. Call the death by any name Your Highness will, attribute it to whom you will, or say it might have been prevented how you will, it is the same death eternally-inborn, inbred, engendered in the corrupted humours of the vicious body itself, and that only--Spontaneous Combustion, and none other of all the deaths that can be died.

roborated by two intelligent married females residing in the same court, and known respectively by the names of Mrs. Piper and Mrs. Perkins; both of whom observed the foetid effluvia, and regarded them as being emitted from the premises in the occupation of Krook, the unfortunate deceased. All this and a great deal more, the two gentlemen, who have formed an amicable partnership. in the melancholy catastrophe, write down on the spot; and the boy population of the court (out of bed in a moment) swarm up the shutters of the Sol's Arms parlour, to behold the tops of their heads while they are about it.

The whole court, adult as well as boy, is sleepless for that night, and can do nothing but wrap up its many heads, and talk of the ill-fated house, and look at it. Miss Flite has been bravely rescued from her chamber, as if it were in flames, and accommodated with a bed at the Sol's Arms. The Sol neither turns off its gas nor shuts its door, all night; for any kind of public excitement makes good for the Sol, and causes the court to stand in need of comfort. The house has not done so much in the stomachic article of cloves, or in brandy and water warm, since the Inquest. The moment the potboy heard what had happened, he rolled up his shirt-sleeves tight to his shoulders, and said, "There'll be a run upon us!" In the first outcry, Young Piper dashed off for the fire-engines; and returned in triumph at a jolting gallop, perched up aloft on the Phoenix, and holding on to that fabulous creature with all his might, in the midst of helmets and torches. One helmet remains behind, after careful investigation of all chinks and crannies; and slowly paces up and down before the house, in company with one of the two policemen who have been likewise left in charge thereof. To this trio, everybody in the court, possessed of sixpence, has an insatiate desire to exhibit hospitality in a liquid form.

Mr. Weevle and his friend Mr. Guppy are within the bar at the Sol, and are worth anything to the Sol that the bar contains, if they will only stay there. "This is not a time," says Mr. Bogsby, "to haggle about money," though he looks something sharply after it over the counter; "give your orders, you two gentlemen, and you're welcome to whatever you put a

name to."

Thus entreated, the two gentlemen (Mr. Weevle especially) put names to so many things, that in course of time they find it difficult to put a name to anything quite distinctly; though they still relate, to all new comers, some version of the night they have had of it, and of what

saw.

they said, and what they thought, and what they Meanwhile, one or other of the policemen often flits about the door, and pushing it open a little way at the full length of his arm, looks in from outer gloom. Not that he has any suspicions, but that he may as well know what they are up to in there.

Thus, night pursues its leaden course; finding the court still out of bed through the unwonted hours, still treating and being treated, still conducting itself similarly to a court that has had a little money left it unexpectedly. Thus, night at length with slow-retreating steps departs, and the lamplighter going his rounds, like an executioner to a despotic king, strikes off the little heads of fire that have aspired to lessen the darkness. Thus, the day cometh, whether or no.

And the day may discern, even with its dim London eye, that the court has been up all night. Over and above the faces that have fallen drowsily on tables, and the heels that lie prone on hard floors instead of beds, the brick and mortar physiognomy of the very court itself looks worn and jaded. And now the neighbourhood waking up, and beginning to hear of what has happened, comes streaming in, halfdressed, to ask questions; and the two policemen and the helmet (who are far less impressible externally than the court) have enough to do to keep the door.

"Good gracious, gentlemen!" says Mr. Snagsby, coming up. "What's this I hear!"

"Why, it's true," returns one of the policemen. "That's what it is. Now move on here, come!"

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"Why, good gracious, gentlemen," says Mr. Snagsby, somewhat promptly backed away, "I was at this door last night betwixt ten and eleven o'clock, in conversation with the young man who lodges here."

"Indeed?" returns the policeman. "You will find the young man next door, then. Now move on here, some of you."

"Not hurt, I hope?" says Mr. Snagsby. "Hurt? No. What's to hurt him!"

Mr. Snagsby, wholly unable to answer this, or any other question, in his troubled mind, repairs to the Sol's Arms, and finds Mr. Weevle languishing over tea and toast; with a considerable expression on him of exhausted excitement, and exhausted tobacco-smoke.

"And Mr. Guppy likewise!" quoth Mr. Snagsby. "Dear, dear, dear! What a fate there seems in all this! And my lit-"

Mr. Snagsby's power of speech deserts him in the formation of the words "my little woman." For, to see that injured female walk into the

"My little woman," urges Mr. Snagsby, in a piteous manner, "don't for goodness' sake speak to me with that bitter expression, and look at me in that searching way! I beg and entreat of you not to do it. Good Lord, you don't suppose that I would go spontaneously combusting any person, my dear ? »

"I can't say," returns Mrs. Snagsby.

On a hasty review of his unfortunate position, Mr. Snagsby "can't say," either. He is not prepared positively to deny that he may have had something to do with it. He has had something-he don't know what to do with so much in this connection that is mysterious, that it is possible he may even be implicated, without knowing it, in the present transaction. He faintly wipes his forehead with his handkerchief, and gasps.

"My life," says the unhappy stationer, "would you have any objections to mention why, being in general so delicately circumspect in your conduct, you come into a Wine Vaults before breakfast ?"

"Why do you come here?" inquires Mrs. Snagsby.

"My dear, merely to know the rights of the fatal accident which has happened to the venerable party who has been-combusted." Mr. Snagsby has made a pause to suppress a groan.

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"I should then have related them to you, my love, over your French roll."

"I dare say you would. You relate everything to me, Mr. Snagsby."

"Every-my lit-?"

I should be glad," says Mrs. Snagsby, after contemplating his increased confusion with a severe and sinister smile, "if you would come home with me; I think you may be safer there, Mr. Snagsby, than anywhere else."

"My love, I don't know but what I may be, I am sure. I am ready to go."

Mr. Snagsby casts his eyes forlornly round the bar, gives Messrs. Weevle and Guppy good morning, assures them of the satisfaction with which he sees them uninjured, and accompanies Mrs. Snagsby from the Sol's Arms. Before night his doubt whether he may not be responsible for some inconceivable part in the catastrophe which is the talk of the whole neighbourhood, is almost resolved into certainty by Mrs. Snagsby's pertinacity in that fixed gaze. His mental sufferings are so great, that he entertains wandering ideas of delivering himself up to justice, and requiring to be cleared, if innocent, and punished with the utmost rigour of the law, if guilty.

Mr. Weevle and Mr. Guppy, having taken their breakfast, step into Lincoln's Inn to take a little walk about the square, and clear as many of the dark cobwebs out of their brains as a little walk may.

"There can be no more favourable time than the present, Tony," says Mr. Guppy, after they have broodingly made out the four sides of the square, "for a word or two between us, upon a point on which we must, with very little delay, come to an understanding."

"Now, I tell you what, William G. !" returns the other, eyeing his companion with a bloodshot eye. "If it's a point of conspiracy, you needn't take the trouble to mention it. I have had enough of that, and I ain't going to have any more. We shall have you taking fire next, or blowing up with a bang."

This supposititious phenomenon is so very disagreeable to Mr. Guppy that his voice. quakes, as he says in a moral way, "Tony, I should have thought that what we went through last night, would have been a lesson to you never to be personal any more as long as you lived." To which Mr. Weevle returns, William, I should have thought it would have been a lesson to you never to conspire any more as long as you 'lived." To which Mr. Guppy says, "Who's conspiring?" To which Mr. Jobling replies, "Why, you are!"

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