Sam Shepard: Theme, Image, and the DirectorP. Lang, 1995 - 332 páginas One of the most exciting and produced American playwrights of the second half of this century, Sam Shepard's writing career began in 1964 and continues today. This book examines the playwright's canon first from the perspective of dramatic analysis and intertextuality in terms of theme and performance vocabulary, then from the director's perspective in interpretation for performance. The book is useful to the scholar, the theatre professional, and the theatre goer. Shepard's dramaturgy is analyzed both in terms of dramatic and cinematic influences and of its originality. The author examines how Shepard has synthesized these influences into the unique contemporary dramatic form which Graham terms «Metarealism.» |
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Página 176
... dramaturgy of his early plays because of the correspondence of meaning inherent in the style and in his themes ... dramaturgy which differs from that of the realists or naturalists ( such as O'Neill or Williams ) and their realistic envi ...
... dramaturgy of his early plays because of the correspondence of meaning inherent in the style and in his themes ... dramaturgy which differs from that of the realists or naturalists ( such as O'Neill or Williams ) and their realistic envi ...
Página 219
... dramaturgy and is not crucial in communication of theme . Shepard's " Note " is ultimately a model for analysis of his dramaturgy and an understanding of the intended impact of his dramaturgy - he writes quite intellectually about a non ...
... dramaturgy and is not crucial in communication of theme . Shepard's " Note " is ultimately a model for analysis of his dramaturgy and an understanding of the intended impact of his dramaturgy - he writes quite intellectually about a non ...
Página 231
... dramaturgy , style and content , is sufficiently complex and should not be obscured by further sophistication or addition in production . Of course , perhaps the most difficult thing in any area or artistic field is to remain simple so ...
... dramaturgy , style and content , is sufficiently complex and should not be obscured by further sophistication or addition in production . Of course , perhaps the most difficult thing in any area or artistic field is to remain simple so ...
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