An Introduction to the Study of Landscape DesignMacmillan, 1917 - 406 páginas |
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Página xiv
... directions and explanations , 345 -Series of drawings for a landscape job , 345 - An example of repre- sentation of design : presentation of landscape plans , 346 — Superin- 338-353 tendence of construction , 351 - Of maintenance , 353 ...
... directions and explanations , 345 -Series of drawings for a landscape job , 345 - An example of repre- sentation of design : presentation of landscape plans , 346 — Superin- 338-353 tendence of construction , 351 - Of maintenance , 353 ...
Página 2
... direction , even the growth of a new technical language , which also take time to master . This is what has happened in the case of landscape architecture . * Within comparatively recent years , there has come a general recog- nition of ...
... direction , even the growth of a new technical language , which also take time to master . This is what has happened in the case of landscape architecture . * Within comparatively recent years , there has come a general recog- nition of ...
Página 21
... direction in which the attention and interest of the observer lies ; commonly , therefore , they are modified in the direction of their ability to give pleasure . A type the characteristics of which have been modified as far as is ...
... direction in which the attention and interest of the observer lies ; commonly , therefore , they are modified in the direction of their ability to give pleasure . A type the characteristics of which have been modified as far as is ...
Página 81
... direction amongst a rather monotonous succession of bare trunks and through them to the open spaces or to the buildings that lie beyond . In either case there is a loss of that enticing mystery and that feeling of indefinite extension ...
... direction amongst a rather monotonous succession of bare trunks and through them to the open spaces or to the buildings that lie beyond . In either case there is a loss of that enticing mystery and that feeling of indefinite extension ...
Página 90
... direction of the attention to it as a unity , thereby segregating it in the observer's mind from the outside world . In this respect the landscape architect is less fortunate than the painter and the sculptor . The painter gets ...
... direction of the attention to it as a unity , thereby segregating it in the observer's mind from the outside world . In this respect the landscape architect is less fortunate than the painter and the sculptor . The painter gets ...
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An Introduction to the Study of Landscape Design Theodora Kimball Hubbard,Henry Vincent Hubbard Sin vista previa disponible - 2015 |
Términos y frases comunes
angle of repose appearance architectural arrangement attention axis balance beauty Birch boundary building Chapter characteristics client color considerable construction Crataegus deciduous decoration definite desirable distance dominant Drawing effect enframed esthetic expression fence flower beds flowering plants foliage formal design formal scheme garden give ground H. V. Hubbard harmony illus important inclosed inclosure instance interest kind land landscape architect landscape character landscape composition landscape design landscape park larger lawn less light lots mass material mountain natural naturalistic objects Olmsted Brothers outdoor parterre particularly paths perhaps Pine plants Plate pleasure possible produce recreation relation repetition Rhododendron road rock scale scape scene scheme seen sequence serve shape shelter shrubs side slope street structures style subordinate surface surrounding terrace texture thing tion topiary topography traffic trees turf units unity usually valley various Villa Lante wall Weigela whole
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Página 364 - Fragments on the theory and practice of landscape gardening; including, Some remarks on Grecian and Gothic architecture, collected from various manuscripts in the possession of the different noblemen and gentlemen for whose use they were originally written. The whole tending to establish fixed principles in the respective arts.
Página 1 - ... the comfort, convenience, and health of urban populations, which have scanty access to rural scenery, and urgently need to have their hurrying, workaday lives refreshed and calmed by the beautiful and reposeful sights and sounds which nature, aided by the landscape art, can abundantly provide.
Página 186 - Often the designer may judiciously somewhat accent all the effects of his shore treatment because the observer is kept at a distance by the foreground water-surface, but if there is boating on the water the conditions may well be reversed, and the planting may then be arranged to be inspected close at hand. In its relation to architectural structures,* planting bears its part in landscape composition in these ways : it enframes, limiting the composition of which the structure is the dominant object...
Página 2 - In producing the formal setting of a palace, the landscape architect's equipment may indeed differ from that of the architect only in his knowledge of plants and what effects can be secured with them; in reproducing or intelligently preserving a natural woodland, however, the landscape architect must have a knowledge of nature's processes, a familiarity with nature's materials, a sensitiveness to the natural beauty of rock and wood and water, which does not form the professional equipment of any...
Página 18 - I have looked studiously but vainly among them for a single face completely unsympathetic with the prevailing expression of good nature and light-heartedness. Is it doubtful that it does men good to come together in this way in pure air and under the light of heaven...
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Página 47 - I do not profess to follow either Le Notre or Brown, but, selecting beauties from the style of each, to adopt so much of the grandeur of the former as may accord with a palace and so much of the grace of the latter as may call forth the charms of natural landscape. Each has its proper situation ; and good taste will make fashion subservient to good sense.
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Página 81 - There is a chaser of wild garden close at hand, and the principal view is valed and shrubbed and clumped in the established camouflage mode. A professor and the school librarian have published a bulky textbook on more than one page of which the eighteenth century returns to life, as for instance: "A landscape of rocky upland country about a mountain tarn might be mysterious in a day of low-drifting clouds, stern or desolate in a storm, and perhaps on a bright breezy Spring morning even gay.