IV. Disposition, or economy of the whole 35 V. The Subject to be treated faithfully * 36 VI. Every foreign Ornament to be re XIV.A Balance to be kept in the Picture p.44 XV. Of the Number of Figures * * 44 XVIII. What things are to be avoided in XXX. Gothick Ornament to be avoided 54 62 XXXIV. Of White and Black... p. 64 XXXV. The Reflection of Colours.. XXXVI. The Union of Colours* 65 165 XXXVII. Of the Interposition of Air 1 67 XXXVIH. The Relation of Distances 67 XXXIX. Of Bodies which are distanced 68 XL. Of contiguous and separated Bodies 68 XLI. Colours very opposite to each other XLVI. Of the Vivacity of Colours * 71 71 XLVIII. The Picture to be of one Piece 72 XLIX. The Looking-glass the Painter's L. An half Figure, or a whole one before - : LVI. The prudential part of a Painter 75 LVII. The idea of a beautiful Picture • 75 LVIII. Advice to a young Painter** 76 78 ... and the Copy on the Cloth. LXII. The Compass to be in the Eyes* 79 LXIII. Pride, an Enemy to good Painting* 79 LXIV. Know thyself .... 80 81 LXV. Perpetually practise, and do easily LXVIII. The Method of catching natural |