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IV. Disposition, or economy of the whole 35 V. The Subject to be treated faithfully * 36 VI. Every foreign Ornament to be re

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XXXIV. Of White and Black... p. 64

XXXV. The Reflection of Colours..

XXXVI. The Union of Colours*

65

165

XXXVII. Of the Interposition of Air 1 67

XXXVIH. The Relation of Distances 67 XXXIX. Of Bodies which are distanced 68

XL. Of contiguous and separated Bodies 68

XLI. Colours very opposite to each other

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XLVI. Of the Vivacity of Colours *
XLVII. Of Shadows

71

71

XLVIII. The Picture to be of one Piece 72 XLIX. The Looking-glass the Painter's

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L. An half Figure, or a whole one before -

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LVI. The prudential part of a Painter 75 LVII. The idea of a beautiful Picture

75

LVIII. Advice to a young Painter**
LIX. Art must be subservient to the Painter 77
LX. Diversity and Facility are pleasing * 77
LXI. The Original must be in the Head,

76

78

...

and the Copy on the Cloth. LXII. The Compass to be in the Eyes* 79 LXIII. Pride, an Enemy to good Painting* 79

LXIV. Know thyself

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80

81

LXV. Perpetually practise, and do easily
what you have conceived
LXVI. The Morning most proper for Work 81
LXVII. Every Day do something 82

LXVIII. The Method of catching natural

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APPENDIX.

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