An Introduction to the Study of Landscape DesignMacmillan, 1917 - 406 páginas |
Dentro del libro
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Página x
... dominance , 91 - Landscape composition within the visual angle , 92- Unity of larger landscape compositions , 92- The forms of order in composition , 93 Repetition , 94 Harmony , monotony , and variety , 94 - Sequence , 94- Sequence of ...
... dominance , 91 - Landscape composition within the visual angle , 92- Unity of larger landscape compositions , 92- The forms of order in composition , 93 Repetition , 94 Harmony , monotony , and variety , 94 - Sequence , 94- Sequence of ...
Página 34
... dominance and the will of man and those which express the designer's appreciation of the power and beauty of nature . † ( Compare Drawing IX , opp . p . 78 with Plate 21 , and Tailpiece on p . 230 with Plate 27. ) We have called the ...
... dominance and the will of man and those which express the designer's appreciation of the power and beauty of nature . † ( Compare Drawing IX , opp . p . 78 with Plate 21 , and Tailpiece on p . 230 with Plate 27. ) We have called the ...
Página 58
... dominant and where it is quite impossible to produce exactly the effect of a free landscape , this style takes on itself a somewhat different manifestation . Even in the compass of an area of half an acre , there may be an open ...
... dominant and where it is quite impossible to produce exactly the effect of a free landscape , this style takes on itself a somewhat different manifestation . Even in the compass of an area of half an acre , there may be an open ...
Página 73
... dominant factor , a mixed stand of trees might be handled , and the trees cut singly as they reach maturity , thus at no time completely destroying any of the forest cover . Where parts of the ground are to be used by large numbers of ...
... dominant factor , a mixed stand of trees might be handled , and the trees cut singly as they reach maturity , thus at no time completely destroying any of the forest cover . Where parts of the ground are to be used by large numbers of ...
Página 77
... dominant emotional result which , being present in a number of experiences , makes them sufficiently alike to be talked of as a class . The writers of the late eighteenth century put great emphasis on Literary the value of effects in ...
... dominant emotional result which , being present in a number of experiences , makes them sufficiently alike to be talked of as a class . The writers of the late eighteenth century put great emphasis on Literary the value of effects in ...
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Otras ediciones - Ver todas
An Introduction to the Study of Landscape Design Theodora Kimball Hubbard,Henry Vincent Hubbard Sin vista previa disponible - 2015 |
Términos y frases comunes
appearance architectural arrangement beauty Birch boundary building Chapter choice city planning client color commonly considerable construction Crataegus deciduous decoration definite desirable distant dominant Drawing effect enframed esthetic expression fence flower beds flowering plants foliage formal design formal scheme fountain garden give ground illus important inclosed inclosure instance interest kind land subdivision landscape architect landscape character landscape composition landscape design landscape park larger lawn less lots mass material natural naturalistic objects outdoor parterre particularly path perception perhaps plants Plate pleasure possible produce purposes recreation relation residential retaining wall Rhododendron road rock scale scape scheme seen serve shape shelter shrubs side slope street structures style subordinate sufficient surface surrounding terrace texture thing tion topiary topography traffic trees turf units unity usually valley various Villa Villa Farnese Villa Lante wall Weigela whole
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Página i - ... the comfort, convenience, and health of urban populations, which have scanty access to rural scenery, and urgently need to have their hurrying, workaday lives refreshed and calmed by the beautiful and reposeful sights and sounds which nature, aided by the landscape art, can abundantly provide.
Página xviii - I have looked studiously but vainly among them for a single face completely unsympathetic with the prevailing expression of good nature and light-heartedness. Is it doubtful that it does men good to come together in this way in pure air and under the light of heaven...
Página ii - The province of landscape architecture is to guide man's modification of the landscape so that he may get the greatest possible esthetic satisfaction of one or both of these two quite different kinds. The resulting beauty might be, at one end of the scale, that of the formal surroundings of a palace — architecture in natural materials to show man's magnificence — or, at the other extreme, that of a woodland solitude — apparently an age-long natural growth — a place of rest from all the works...
Página 334 - City planning; a comprehensive analysis of the subject arranged for the classification of books, plans, photographs, notes and other collected material, with alphabetic subject index.
Página 30 - I do not profess to follow either Le Notre or Brown, but, selecting beauties from the style of each, to adopt so much of the grandeur of the former as may accord with a palace and so much of the grace of the latter as may call forth the charms of natural landscape. Each has its proper situation ; and good taste will make fashion subservient to good sense.
Página 328 - KEMP ON LANDSCAPE GARDENING. How to Lay Out a Garden. Intended as a general Guide in choosing, fonnft ^ or improving an estate (from a quarter of an acre to a hundred acres in extent), with reference to both design and execution.
Página 40 - The unending vision of sky and grass; the dim, distant, and ever-shifting horizon; the ridges that seem to be rolled upon one another in motionless torpor ; the effect of sunrise and sunset — of night narrowing the vision to nothing, and morning only expanding it to a shapeless blank ; the sigh and sough of a breeze that seems an echo in unison with the solitude of which it is the sole voice ; and, above all, the sense of lonely unending distance, which comes to the traveller when day after day...
Página xi - ... true taste in landscape gardening, as well as in all the other polite arts, is not an accidental effect, operating on the outward senses, but an appeal to the understanding...
Página 5 - ... (The true critic must combine all three types in himself, and hold the balance by his sense of their reciprocal relations.) He cannot abnegate the right to judge ; he cannot divest himself of subjective tastes which colour his judgment; "but it is his supreme duty to train his faculty of judgment and to temper his subjectivity by the study of things in their historical connections. ) Heraclitus has a weighty saying, which those who aim at sound criticism should bear in mind.* "It behoves us...