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1 When I was fourteen years old my first schoolmaster, Joshua Coffin, the able, eccentric historian of Newbury, brought with him to our house a volume of Burns's poems, from which he read, greatly to my delight. I begged him to leave the book with me, and set myself at once to the task of mastering the glossary of the Scottish dialect at its close. This was about the first poetry I had ever read (with the exception of that of the Bible, of which I had been a close student), and it had a lasting influence upon me. I began to make rhymes myself, and to imagine stories and adventures. (WHITTIER, in his Autobiographical Letter; Carpenter's Whittier, pp. 298-299.)

One day we had a call from a 'pawky auld carle' of a wandering Scotchman. To him I owe my first introduction to the songs of Burns. After eating his bread and cheese and drinking his mug of cider he gave us 'Bonny Doon,' 'Highland Mary' and 'Auld Lang Syne.' He had a rich, full voice, and entered heartily into the spirit of his lyrics. I have since listened to the same melodies from the lips of Dempster, than whom the Scottish bard has had no sweeter or truer interpreter ; but the skilful performance of the artist lacked the novel charm of the gaberlunzie's singing in the old farmhouse kitchen. (WHITTIER, Yankee Gypsies,' in his Prose Works, vol. i, pp. 336-337; also quoted in Carpenter's Whittier, p. 30.)

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I matched with Scotland's heathery hills
The sweetbrier and the clover;
With Ayr and Doon, my native rills,
Their wood hymns chanting over.

O'er rank and pomp, as he had seen,
I saw the Man uprising;

No longer common or unclean,
The child of God's baptizing!

With clearer eyes I saw the worth
Of life among the lowly;
The Bible at his Cotter's hearth
Had made my own more holy.

And if at times an evil strain,
To lawless love appealing,
Broke in upon the sweet refrain
Of pure and healthful feeling,

It died upon the eye and ear,

No inward answer gaining; No heart had I to see or hear

The discord and the staining.

Let those who never erred forget
His worth, in vain bewailings;
Sweet Soul of Song! I own my debt
Uncancelled by his failings !

Lament who will the ribald line
Which tells his lapse from duty,
How kissed the maddening lips of wine
Or wanton ones of beauty;

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And blushed as she gave it, looking down On her feet so bare, and her tattered gown.

1 The poem had no real foundation in fact, though a hint of it may have been found in recalling an incident, trivial in itself, of a journey on the picturesque Maine seaboard with my sister some years before it was written. We had stopped to rest our tired horse under the shade of an apple-tree, and refresh him with water from a little brook which rippled through the stone wall across the road. A very beautiful young girl in scantest summer attire was at work in the hay-field, and as we talked with her we noticed that she strove to hide her bare feet by raking hay over them, blushing as she did. 40, through the tan of her cheek and neck. (WHITTIER.)

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THE BAREFOOT BOY

BLESSINGS on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy,·
I was once a barefoot boy!
Prince thou art,—the grown-up man
Only is republican.

Let the million-dollared ride !
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye,
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!

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