Tonal Counterpoint: Studies in Part-writingA. P. Schmidt, 1904 - 258 páginas |
Dentro del libro
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Página 8
... the introduction of first inver- sions the phrase may be treated as follows : 6 6 The chords now blend together more naturally , and we secure a flowing diatonic bass melody . ― $ 10 . To speak now in detail of. 8 Tonal Counterpoint.
... the introduction of first inver- sions the phrase may be treated as follows : 6 6 The chords now blend together more naturally , and we secure a flowing diatonic bass melody . ― $ 10 . To speak now in detail of. 8 Tonal Counterpoint.
Página 28
... secure , as the normal type , a flow- ing and cantabile melody of sustained and varied interest . In this voice a lifeless or monotonous mass of notes is intolerable . During the last few centuries the soprano has gradually come to be ...
... secure , as the normal type , a flow- ing and cantabile melody of sustained and varied interest . In this voice a lifeless or monotonous mass of notes is intolerable . During the last few centuries the soprano has gradually come to be ...
Página 47
... secure at least variety of range . In regard to the soprano , as at first it goes smoothly up and down the scale , towards the end it is enlivened by two ascend- ing skips of a fourth , and finally at ( c ) by the introduction of that ...
... secure at least variety of range . In regard to the soprano , as at first it goes smoothly up and down the scale , towards the end it is enlivened by two ascend- ing skips of a fourth , and finally at ( c ) by the introduction of that ...
Página 80
... secure a diatonic phrase of nearly an octave . The same subject with counterpoint above : S 6 6 6 6 6 Simple as this exercise is , note at ( a ) how effectively the climax in the counterpoint has been saved for the fifth measure where ...
... secure a diatonic phrase of nearly an octave . The same subject with counterpoint above : S 6 6 6 6 6 Simple as this exercise is , note at ( a ) how effectively the climax in the counterpoint has been saved for the fifth measure where ...
Página 109
... secure temporary effects of dis- sonance which impart progressive interest to the music . When the syncopation is a dissonance the student will remember that the harmonic effect is called Suspension , and we shall soon see which are the ...
... secure temporary effects of dis- sonance which impart progressive interest to the music . When the syncopation is a dissonance the student will remember that the harmonic effect is called Suspension , and we shall soon see which are the ...
Otras ediciones - Ver todas
Tonal Counterpoint: Studies in Part-writing Walter Raymond Spalding Sin vista previa disponible - 1932 |
Términos y frases comunes
1st Violin accented passing note alto voice analyze Andante arpeggio auxiliary note Bach bass beat BEETHOVEN cadence Cello changing notes chief melody choral chromatic Clavichord combinations composer composition consecutive fifths contrapuntal counter cresc diatonic dissonant dominant seventh double counterpoint effect example exercises fifths and octaves florid flowing four notes fourth Fugue fundamental position HANDEL harmony note Haydn imitation inner voices interest interval introduced leading tone leap let the student lower voice major measure melody minor mode minor scale modulation motion Mozart octave outer voices outline part-writing passage perfect fifth phrase pianoforte possible practice Prelude progression range related keys repeated notes SCHUMANN second inversions seldom seventh chord simple six-four chord sixth degree skips Sonata soprano string quartet style suspension Symphony syncopation third three-part tion tonality tonic transposed treated triad two-part writing upper voices VIIO Viola Cello Violin Violin Viola vocal writing for strings
Pasajes populares
Página 228 - The first expressions of co-operation were found in the co-operative and communistic colonies which settled on the land in the latter part of the Eighteenth Century and the early part of the Nineteenth Century.
Página 157 - Organizational structures are not an end in themselves, but a means to an end.
Página 258 - ... must have something to say and he must know how to say it in such a way as to capture public attention.
Página 198 - Haydn and the first movement of Beethoven's Sonata in D minor, Op. 31, No. 2.
Página 258 - ... these realms, Attention may be termed specific, and when the control of the adopted purpose of existence as a whole is maintained through its means, establishing an efficient and wellordered unity amongst the many divisions and details of that purpose, then we may designate Attention as supreme. " Genius " has been defined as " an infinite capacity for taking pains.
Página 23 - Tie should gradually have these tables at his finger-ends as well as in his head; for they form in themselves alone a fundamental system of diatonic harmony which, if thoroughly mastered, will be of the greatest assistance in all future studies.
Página 77 - ... found between the sixth and seventh degrees of the harmonic minor scale, should seldom be employed.
Página 42 - ... the seventh and eighth measures of the first movement of Mozart's C Maior Symphony.