Tonal Counterpoint: Studies in Part-writingA. P. Schmidt, 1904 - 258 páginas |
Dentro del libro
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Página vii
... flowing and melodious contrapuntal treatment impossible . f As soon as the first principles of contrapuntal style are under- 66 stood , much attention is paid to original work , for in the study of counterpoint the chief object is to ...
... flowing and melodious contrapuntal treatment impossible . f As soon as the first principles of contrapuntal style are under- 66 stood , much attention is paid to original work , for in the study of counterpoint the chief object is to ...
Página 8
... By the introduction of first inver- sions the phrase may be treated as follows : 6 6 The chords now blend together more naturally , and we secure a flowing diatonic bass melody . ― $ 10 . To speak now in detail of. 8 Tonal Counterpoint.
... By the introduction of first inver- sions the phrase may be treated as follows : 6 6 The chords now blend together more naturally , and we secure a flowing diatonic bass melody . ― $ 10 . To speak now in detail of. 8 Tonal Counterpoint.
Página 27
... BEETHOVEN . Op . 14 , No. 2 Of the two forms of real motion , conjunct or disjunct , the former is preferable . The best bass is one which is largely flowing ( cantabile ) , varied here and there by General Laws of Progression 27.
... BEETHOVEN . Op . 14 , No. 2 Of the two forms of real motion , conjunct or disjunct , the former is preferable . The best bass is one which is largely flowing ( cantabile ) , varied here and there by General Laws of Progression 27.
Página 28
Studies in Part-writing Walter Raymond Spalding. flowing ( cantabile ) , varied here and there by effective skips , - 931 FRANZ . Four - part Song etc. generally simple ones such as thirds , fifths , fourths and sixths , or at times a ...
Studies in Part-writing Walter Raymond Spalding. flowing ( cantabile ) , varied here and there by effective skips , - 931 FRANZ . Four - part Song etc. generally simple ones such as thirds , fifths , fourths and sixths , or at times a ...
Página 36
... flowing bass against the sustained note in the tenor . It is the chief function of the inner voices to furnish these sustained notes . They are the pivots , so to speak , around which swing the outer voices with their freer range and ...
... flowing bass against the sustained note in the tenor . It is the chief function of the inner voices to furnish these sustained notes . They are the pivots , so to speak , around which swing the outer voices with their freer range and ...
Otras ediciones - Ver todas
Tonal Counterpoint: Studies in Part-writing Walter Raymond Spalding Sin vista previa disponible - 1932 |
Términos y frases comunes
1st Violin accented passing note alto voice analyze Andante arpeggio auxiliary note Bach bass beat BEETHOVEN cadence Cello changing notes chief melody choral chromatic Clavichord combinations composer composition consecutive fifths contrapuntal counter cresc diatonic dissonant dominant seventh double counterpoint effect example exercises fifths and octaves florid flowing four notes fourth Fugue fundamental position HANDEL harmony note Haydn imitation inner voices interest interval introduced leading tone leap let the student lower voice major measure melody minor mode minor scale modulation motion Mozart octave outer voices outline part-writing passage perfect fifth phrase pianoforte possible practice Prelude progression range related keys repeated notes SCHUMANN second inversions seldom seventh chord simple six-four chord sixth degree skips Sonata soprano string quartet style suspension Symphony syncopation third three-part tion tonality tonic transposed treated triad two-part writing upper voices VIIO Viola Cello Violin Violin Viola vocal writing for strings
Pasajes populares
Página 228 - The first expressions of co-operation were found in the co-operative and communistic colonies which settled on the land in the latter part of the Eighteenth Century and the early part of the Nineteenth Century.
Página 157 - Organizational structures are not an end in themselves, but a means to an end.
Página 258 - ... must have something to say and he must know how to say it in such a way as to capture public attention.
Página 198 - Haydn and the first movement of Beethoven's Sonata in D minor, Op. 31, No. 2.
Página 258 - ... these realms, Attention may be termed specific, and when the control of the adopted purpose of existence as a whole is maintained through its means, establishing an efficient and wellordered unity amongst the many divisions and details of that purpose, then we may designate Attention as supreme. " Genius " has been defined as " an infinite capacity for taking pains.
Página 23 - Tie should gradually have these tables at his finger-ends as well as in his head; for they form in themselves alone a fundamental system of diatonic harmony which, if thoroughly mastered, will be of the greatest assistance in all future studies.
Página 77 - ... found between the sixth and seventh degrees of the harmonic minor scale, should seldom be employed.
Página 42 - ... the seventh and eighth measures of the first movement of Mozart's C Maior Symphony.