Tonal Counterpoint: Studies in Part-writingA. P. Schmidt, 1904 - 258 páginas |
Dentro del libro
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Página i
... of Music in Harvard University PRICE , TWO DOLLARS Arthur P. Schmidt BOSTON 120 Boylston St. LEIPZIG NEW YORK 136 Fifth Avenue Copyright , 1904 , by ARTHUR P. SCHMIDT A HARVARD UNIVERSITY LIBRARY JAN 23 1956 The Fort Hill.
... of Music in Harvard University PRICE , TWO DOLLARS Arthur P. Schmidt BOSTON 120 Boylston St. LEIPZIG NEW YORK 136 Fifth Avenue Copyright , 1904 , by ARTHUR P. SCHMIDT A HARVARD UNIVERSITY LIBRARY JAN 23 1956 The Fort Hill.
Página 2
... fifth is the inversion of a fourth , the student will readily understand that a fifth upwards is equivalent to a fourth downwards and vice versa . In like manner a sixth is the inversion of a third , and a second of a seventh . Worked ...
... fifth is the inversion of a fourth , the student will readily understand that a fifth upwards is equivalent to a fourth downwards and vice versa . In like manner a sixth is the inversion of a third , and a second of a seventh . Worked ...
Página 3
... fifth in the tenor would be of perfectly good effect , but the best and most natural combination is that shown at ( c ) . $ 6 . Less usual , in general , are those progressions in which the bass moves a third up or down , II , IV ; 111 ...
... fifth in the tenor would be of perfectly good effect , but the best and most natural combination is that shown at ( c ) . $ 6 . Less usual , in general , are those progressions in which the bass moves a third up or down , II , IV ; 111 ...
Página 9
... fifth . If we use this chord in its fundamental position , that is , with its lowest note in the bass and with this note doubled , the dimin- ished fifth is too prominent and the effect is very harsh ; for example , bad bad bad dim The ...
... fifth . If we use this chord in its fundamental position , that is , with its lowest note in the bass and with this note doubled , the dimin- ished fifth is too prominent and the effect is very harsh ; for example , bad bad bad dim The ...
Página 11
... fifth is doubled with equally good effect ; for example , at ( a ) and ( b ) above we have a doubled third , and at ( c ) a doubled fifth . The following example from Handel's " Messiah is instructive , as in it we find three first ...
... fifth is doubled with equally good effect ; for example , at ( a ) and ( b ) above we have a doubled third , and at ( c ) a doubled fifth . The following example from Handel's " Messiah is instructive , as in it we find three first ...
Otras ediciones - Ver todas
Tonal Counterpoint: Studies in Part-writing Walter Raymond Spalding Sin vista previa disponible - 1932 |
Términos y frases comunes
1st Violin accented passing note alto voice analyze Andante arpeggio auxiliary note Bach bass beat BEETHOVEN cadence Cello changing notes chief melody choral chromatic Clavichord combinations composer composition consecutive fifths contrapuntal counter cresc diatonic dissonant dominant seventh double counterpoint effect example exercises fifths and octaves florid flowing four notes fourth Fugue fundamental position HANDEL harmony note Haydn imitation inner voices interest interval introduced leading tone leap let the student lower voice major measure melody minor mode minor scale modulation motion Mozart octave outer voices outline part-writing passage perfect fifth phrase pianoforte possible practice Prelude progression range related keys repeated notes SCHUMANN second inversions seldom seventh chord simple six-four chord sixth degree skips Sonata soprano string quartet style suspension Symphony syncopation third three-part tion tonality tonic transposed treated triad two-part writing upper voices VIIO Viola Cello Violin Violin Viola vocal writing for strings
Pasajes populares
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Página 157 - Organizational structures are not an end in themselves, but a means to an end.
Página 258 - ... must have something to say and he must know how to say it in such a way as to capture public attention.
Página 198 - Haydn and the first movement of Beethoven's Sonata in D minor, Op. 31, No. 2.
Página 258 - ... these realms, Attention may be termed specific, and when the control of the adopted purpose of existence as a whole is maintained through its means, establishing an efficient and wellordered unity amongst the many divisions and details of that purpose, then we may designate Attention as supreme. " Genius " has been defined as " an infinite capacity for taking pains.
Página 23 - Tie should gradually have these tables at his finger-ends as well as in his head; for they form in themselves alone a fundamental system of diatonic harmony which, if thoroughly mastered, will be of the greatest assistance in all future studies.
Página 77 - ... found between the sixth and seventh degrees of the harmonic minor scale, should seldom be employed.
Página 42 - ... the seventh and eighth measures of the first movement of Mozart's C Maior Symphony.