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brave endurance of neglect and ridicule; the strange and cruel end of so much genius and so much virtue; these are the lessons by which the sympathies of mankind must be interested, and their faculties educated, up to the love of such a character and the comprehension of such an intelligence. Still the lovers and scholars will be few still the rewards of fame will be scanty and illproportioned: no accumulation of knowledge or series of experiences can teach the meaning of genius to those who look for it in additions and results, any more than the numbers studded round a planet's orbit could approach nearer infinity than a single unit. The world of thought must remain apart from the world of action, for, if they once coincided, the problem of Life would be solved, and the hope, which we call heaven, would be realized on earth. And therefore men

"Are cradled into poetry by wrong:

They learn in suffering what they teach in song."

LITERARY REMAINS.

OTHO THE GREAT.

A TRAGEDY IN FIVE ACTS.

DRAMATIS PERSONE.

OTHO THE GREAT, Emperor of Germany.
LUDOLPH, his Son.

CONRAD, Duke of Franconia.

ALBERT, a Knight, favored by Otho.

SIGIFRED, an Officer, friend of Ludolph.
THEODORE,

GONFRID,

Officers.

ETHELBERT, an Abbot.

GERSA, Prince of Hungary.

An Hungarian Captain.
Physician.

Page.

Nobles, Knights, Attendants, and Soldiers.

ERMINIA, Niece of Otho.

AURANTHE, Conrad's Sister.

Ladies and Attendants.

SCENE. The Castle of Friedburg, its vicinity, and the Hungarian

Camp.

TIME.-One Day.

ACT I.

SCENE I.-An Apartment in the Castle.

Enter CONRAD.

So, I am safe emerged from these broils!
Amid the wreck of thousands I am whole;
For every crime I have a laurel-wreath,
For every lie a lordship. Nor yet has

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