The Lincoln Nobody Knows

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Bloomsbury Academic, 1980 M08 22 - 314 páginas
This book is about how pictures represent. Do they, like words, depend on human conventions for their meaning, or do they instead exploit something else--perhaps by looking like what they represent? The problem is philosophical, but it has also interested psychologists and art historians. Robert Hopkins examines and criticizes the currently available answers to this question before proposing and defending one of his own, and concludes with an attempt to see what a proper understanding of picturing can tell us about that deeply mysterious phenomenon, the visual imagination.

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TWO THE SON LOVER HUSBAND
22
THREE THE INSTRUMENT OF GOD
51
FOUR THE MAN WHO SAID NO
76
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