Rhetoric and Renaissance Culturede Gruyter, 2004 - 581 páginas Since Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance. |
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Página 445
... Hamlet sets up a catalogue of rules which minutely regulates fictitious action . This catalogue is supplemented by par- ticular aspects of the stage rehearsal and Hamlet's monologue . Basic elements of Hamlet's theory of acting are the ...
... Hamlet sets up a catalogue of rules which minutely regulates fictitious action . This catalogue is supplemented by par- ticular aspects of the stage rehearsal and Hamlet's monologue . Basic elements of Hamlet's theory of acting are the ...
Página 447
... Hamlet from this perspective , we find all three steps of representational energeia being realized . The pantomime ... Hamlet makes use of this principle of energeia in order to entice the king to confess his murder . Apart from this ...
... Hamlet from this perspective , we find all three steps of representational energeia being realized . The pantomime ... Hamlet makes use of this principle of energeia in order to entice the king to confess his murder . Apart from this ...
Página 452
... Hamlet's actions are increasingly shaped by tropical dissimulation . His poses of rejected lover , of ambitious ... Hamlet . It can be formulated thus : the courtly play is not an imitation of nature but of its moral distortion . 42 ...
... Hamlet's actions are increasingly shaped by tropical dissimulation . His poses of rejected lover , of ambitious ... Hamlet . It can be formulated thus : the courtly play is not an imitation of nature but of its moral distortion . 42 ...
Contenido
Renaissance Culturology and Rhetoric | 1 |
Inventio Poetica | 111 |
Dispositio Poetica | 151 |
Derechos de autor | |
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Términos y frases comunes
action actor Apology for Poetry Art of Memory Arte of English Arte of Rhetorique artem Ben Jonson century chap chapter Cicero classical comedy commonplace concept Coriolanus courtier courtly Critical culture decorum dispositio drama edition effect Elizabethan elocutio Eloquence emblem emotions enargeia England English Poesie epideictic Essays Figure Frankfurt/M genres George Puttenham H.F. Plett Hamlet Henry Peacham Hercules Gallicus humanist Iago Iago's icon illustrate images imagination intertextuality inventio invention Johann John Julius Caesar Scaliger language Latin libri literary literature London meditation metaphor mnemonic München nature orator oratory Orpheus Othello Oxford painter painting passion philosophy pictorial picture play poem poet poeta poetic poétique Princeton prosopopoeia Quintilian Renaissance Rhetoric representation rhetoric Rhetorica Rhetorik Richard role Scaliger Shakespeare's Sidney Sidney's speaking speech Studies style stylistic theatrical theory things Thomas Thomas Sébillet tion tradition tragedy Trans translation treatise tropes verbal visual words York