Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure of Authority in Renaissance EnglandRoutledge, 2014 M03 18 - 250 páginas In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England. |
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... social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the ...
... social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the ...
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... social institution. By favoring a certain style of representation and a particular etiquette of reception, the institutional setting of a performance informs and focuses the meaning of a dramatic text and facilitates the dissemination ...
... social institution. By favoring a certain style of representation and a particular etiquette of reception, the institutional setting of a performance informs and focuses the meaning of a dramatic text and facilitates the dissemination ...
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... social and intellectual life were common to virtually all social groups, corporations, and communities in Renaissance England, primarily in informal, amateur organizations. The performance traditions of these homogeneous groups usually ...
... social and intellectual life were common to virtually all social groups, corporations, and communities in Renaissance England, primarily in informal, amateur organizations. The performance traditions of these homogeneous groups usually ...
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... social and economic life. Before proceeding to any detailed analysis of that popular culture, however, it is useful to place the problem in a more fully developed theoretical context. That context has three significant elements. First ...
... social and economic life. Before proceeding to any detailed analysis of that popular culture, however, it is useful to place the problem in a more fully developed theoretical context. That context has three significant elements. First ...
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... social and institutional mise-en-scène. Although in some cultural settings theater has a relatively clear and well-defined relationship to the social structure as a whole, the theater of Elizabethan England was situated quite ...
... social and institutional mise-en-scène. Although in some cultural settings theater has a relatively clear and well-defined relationship to the social structure as a whole, the theater of Elizabethan England was situated quite ...
Contenido
The Texts of Carnival | |
Butchers and fishmongers | |
A complete exit from the present order of life | |
Theater and the structure of authority | |
The dialectic of laughter | |
Clowning and devilment | |
Carnivalized literature | |
Treating death as a laughing matter | |
the politics of Carnival | |
Notes | |
Bibliography | |
Otras ediciones - Ver todas
Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure ... Michael D. Bristol Vista previa limitada - 2014 |
Carnival and Theater: Plebeian Culture and the Structure of Authority in ... Michael D. Bristol Vista de fragmentos - 1989 |
Carnival and Theater: Plebeian Culture and the Structure of Authority in ... Michael D. Bristol Vista de fragmentos - 1985 |
Términos y frases comunes
abundance abuse action activity allocation audience authority Bakhtin Battle of Carnival butchers Carnival and Lent celebration character Claudius clown collective complex concept conflict critical death Devil discourse Doctor Faustus dramatic Durkheim E.P. Thompson early modern economic elaborate elite Elizabethan England epically distanced everyday existence experience Falstaff Faustus festive agon fishmongers folly function Hamlet hierarchy hospitality ideology individual interpretation king language laughing matter laughter Lenten Lenten Stuffe liminal literary literature Locrine London marriage Marxism material matter of Britain Midsummer Night’s Dream Mikhail Bakhtin misrule narrative Nashe objectified pageantry pattern play playhouses plebeian culture political popular culture popular festive form practice Praise of Folly privileged production Rabkin radical relationship Renaissance represented reveals scene sexual Shakespeare social structure society speech types strategy Strumbo sustained symbols theater theatrical Theseus Thomas Nashe thou Tillyard traditional transgression travesty uncrowning University Press utopian Victor Turner violence wealth Yarmouth