Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure of Authority in Renaissance EnglandRoutledge, 2014 M03 18 - 250 páginas In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England. |
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... limited partisan ends. Both Tillyard and Rabkin ignore the purposeful and limited character of traditions of everyday life and social observance that give rise to and are the precondition of any individual act of creativity. They also ...
... limited partisan ends. Both Tillyard and Rabkin ignore the purposeful and limited character of traditions of everyday life and social observance that give rise to and are the precondition of any individual act of creativity. They also ...
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... limited and selective way, by Tillyard. Stephen Greenblatt, and several other scholars who share a similar perspective, notably Jonathan Goldberg and Louis A. Montrose, is centrally concerned with the theme of power and with the ...
... limited and selective way, by Tillyard. Stephen Greenblatt, and several other scholars who share a similar perspective, notably Jonathan Goldberg and Louis A. Montrose, is centrally concerned with the theme of power and with the ...
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... limited domain of application; in adopting certain conceptions of the individual or self in relation to power, Greenblatt relies on a greatly reduced conception of social and collective experience. In a brief but important passage on ...
... limited domain of application; in adopting certain conceptions of the individual or self in relation to power, Greenblatt relies on a greatly reduced conception of social and collective experience. In a brief but important passage on ...
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... limited, constrained – in fact preempted – by the diffuse authority of collective life as it is actually lived in everyday experience. This diffuse or heteroglot authority is actualized in the collective and anonymous forms of Carnival ...
... limited, constrained – in fact preempted – by the diffuse authority of collective life as it is actually lived in everyday experience. This diffuse or heteroglot authority is actualized in the collective and anonymous forms of Carnival ...
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Contenido
The Texts of Carnival | |
Butchers and fishmongers | |
A complete exit from the present order of life | |
Theater and the structure of authority | |
The dialectic of laughter | |
Clowning and devilment | |
Carnivalized literature | |
Treating death as a laughing matter | |
the politics of Carnival | |
Notes | |
Bibliography | |
Otras ediciones - Ver todas
Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure ... Michael D. Bristol Vista previa limitada - 2014 |
Carnival and Theater: Plebeian Culture and the Structure of Authority in ... Michael D. Bristol Vista de fragmentos - 1989 |
Carnival and Theater: Plebeian Culture and the Structure of Authority in ... Michael D. Bristol Vista de fragmentos - 1985 |
Términos y frases comunes
abundance abuse action activity allocation audience authority Bakhtin Battle of Carnival butchers Carnival and Lent celebration character Claudius clown collective complex concept conflict critical death Devil discourse Doctor Faustus dramatic Durkheim E.P. Thompson early modern economic elaborate elite Elizabethan England epically distanced everyday existence experience Falstaff Faustus festive agon fishmongers folly function Hamlet hierarchy hospitality ideology individual interpretation king language laughing matter laughter Lenten Lenten Stuffe liminal literary literature Locrine London marriage Marxism material matter of Britain Midsummer Night’s Dream Mikhail Bakhtin misrule narrative Nashe objectified pageantry pattern play playhouses plebeian culture political popular culture popular festive form practice Praise of Folly privileged production Rabkin radical relationship Renaissance represented reveals scene sexual Shakespeare social structure society speech types strategy Strumbo sustained symbols theater theatrical Theseus Thomas Nashe thou Tillyard traditional transgression travesty uncrowning University Press utopian Victor Turner violence wealth Yarmouth