Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure of Authority in Renaissance EnglandRoutledge, 2014 M03 18 - 250 páginas In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England. |
Dentro del libro
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... collective traditions lived out by ordinary people in their ordinary existence. That positive critique, which articulates the capacity of popular culture to resist penetration and control by the power Theoretical perspective.
... collective traditions lived out by ordinary people in their ordinary existence. That positive critique, which articulates the capacity of popular culture to resist penetration and control by the power Theoretical perspective.
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... existence, the public playhouse of Elizabethan England was not yet fully differentiated from more dispersed and anonymous forms of festive life, play and mimesis. Theatrical spectacle and the theatricalization of social and intellectual ...
... existence, the public playhouse of Elizabethan England was not yet fully differentiated from more dispersed and anonymous forms of festive life, play and mimesis. Theatrical spectacle and the theatricalization of social and intellectual ...
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... existence of a popular element in the cultural landscape of the period has either been ignored or been treated as yet another instrument of political and cultural domination. But the problem of authority cannot be fully elucidated by ...
... existence of a popular element in the cultural landscape of the period has either been ignored or been treated as yet another instrument of political and cultural domination. But the problem of authority cannot be fully elucidated by ...
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... cultural treasures he surveys have an origin which he cannot contemplate without horror. They owe their existence not only to the efforts of the great minds and talents who have created them, but also to the anonymous toil of.
... cultural treasures he surveys have an origin which he cannot contemplate without horror. They owe their existence not only to the efforts of the great minds and talents who have created them, but also to the anonymous toil of.
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... existence, independent of its actualization in concrete literary, theological or political writing. Even when a text depicts social disintegration, the idea of hierarchical order is the implicit prior standard that rationalizes the ...
... existence, independent of its actualization in concrete literary, theological or political writing. Even when a text depicts social disintegration, the idea of hierarchical order is the implicit prior standard that rationalizes the ...
Contenido
The Texts of Carnival | |
Butchers and fishmongers | |
A complete exit from the present order of life | |
Theater and the structure of authority | |
The dialectic of laughter | |
Clowning and devilment | |
Carnivalized literature | |
Treating death as a laughing matter | |
the politics of Carnival | |
Notes | |
Bibliography | |
Otras ediciones - Ver todas
Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure ... Michael D. Bristol Vista previa limitada - 2014 |
Carnival and Theater: Plebeian Culture and the Structure of Authority in ... Michael D. Bristol Vista de fragmentos - 1989 |
Carnival and Theater: Plebeian Culture and the Structure of Authority in ... Michael D. Bristol Vista de fragmentos - 1985 |
Términos y frases comunes
abundance abuse action activity allocation audience authority Bakhtin Battle of Carnival butchers Carnival and Lent celebration character Claudius clown collective complex concept conflict critical death Devil discourse Doctor Faustus dramatic Durkheim E.P. Thompson early modern economic elaborate elite Elizabethan England epically distanced everyday existence experience Falstaff Faustus festive agon fishmongers folly function Hamlet hierarchy hospitality ideology individual interpretation king language laughing matter laughter Lenten Lenten Stuffe liminal literary literature Locrine London marriage Marxism material matter of Britain Midsummer Night’s Dream Mikhail Bakhtin misrule narrative Nashe objectified pageantry pattern play playhouses plebeian culture political popular culture popular festive form practice Praise of Folly privileged production Rabkin radical relationship Renaissance represented reveals scene sexual Shakespeare social structure society speech types strategy Strumbo sustained symbols theater theatrical Theseus Thomas Nashe thou Tillyard traditional transgression travesty uncrowning University Press utopian Victor Turner violence wealth Yarmouth