Imágenes de páginas
PDF
EPUB

PICTURES FROM ITALY.

[graphic][subsumed][subsumed][merged small][merged small]

the readers of this volume will be so kind as

ing there, a Foreigner, to abstain from the discussion of any such questions with any order of Italians, so I would rather not enter on the inquiry now. Dur

I to take their credentials for the different places in my tavelve months occupation of a house at

which are the subject of its Author's reminiscences from the Author himself, perhaps they may visit them, in fancy, the more agreeably, and with a better understanding of what they are to expect.

Many books have been written upon Italy, affording many means of studying the history of that interesting country, and the innumerable associations entwined about it. I make but little reference to that stock of information; not at all regarding it as a necessary consequence of my having had recourse to the store-house for my own benefit, that I should reproduce its easily accessible contents before the eyes of my readers.

Neither will there be found, in these pages, any grave examination into the government or misgovernment of any portion of the country. No visitor of that beautiful land can fail to have a strong conviction on the subject; but as I chose when resid

Genoa, I never found that authorities constitutionally jealous were distrustful of me; and I should be sorry to give them occasion to regret their free courtesy, either to myself or any of my countrymen.

There is, probably, not a famous Picture or Statue in all Italy but could be easily buried under a mountain of printed paper devoted to dissertations on it. I do not, therefore, though an earnest admirer of Painting and Sculpture, expatiate at any length on famous Pictures and Statues.

This Book is a series of faint reflections-mere shadows in the water-of places to which the imaginations of most people are attracted in a greater or less degree, on which mine had dwelt for years, and which have some interest for all. The greater part of the descriptions were written on the spot, and sent home, from time to time, in private letters. I do not mention the circumstance as an excuse for

any defects they may present, for it would be none; but as a guarantee to the Reader that they were at least peuned in the fullness of the subject, and with the liveliest impressions of novelty and freshness.

If they have ever a fanciful and idle air, perhaps the reader will suppose them written in the shade of a Sunny Day, in the midst of the objects of which they treat, and will like them none the worse for having such influences of the country upon them.

I hope I am not likely to be misunderstood by Professors of the Roman Catholic faith on account of any thing contained in these pages. I have done my best, in one of my former productions, to do justice to them; and I trust, in this, they will do justice to me. When I mention any exhibition that impressed me as absurd or disagreeable, I do not seek to connect it, or recognize it as necessarily connected with, any essentials of their creed. When I treat of the ceremonies of the Holy Week, I merely treat of their effect, and do not challenge the good and learned Dr. Wiseman's interpretation of their meaning. When I hint a dislike of nunneries for young girls who abjure the world before they have ever proved or known it; or doubt the ex-officio sanctity of all Priests and Friars; I do no more than many conscientious Catholics both abroad and at home.

I have likened these Pictures to shadows in the water, and would fain hope that I have nowhere stirred the water so roughly as to mar the shadows. I could never desire to be on better terms with all my friends than now, when distant mountains rise, once more, in my path. For I need not hesitate to avow that, bent on correcting a brief mistake I made, not long ago, in disturbing the old relations between myself and my readers, and departing for a moment from my old pursuits, I am about to resume them, joyfully, in Switzerland; where during another year of absence, I can at once work out the themes I have now in my mind without interruption and while I keep my English audience within speaking distance, extend my knowledge of a noble country, inexpressibly attractive to me.*

This book is made as accessible as possible, because it would be a great pleasure to me if I could hope, through its means, to compare impressions with some among the multitudes who will hereafter visit the scenes described with interest and delight.

And I have only now, in passport wise, to sketch my reader's portrait, which I hope may be thus supposititiously traced for either sex:

[blocks in formation]

when two travelers might have been observed slowly making their way over that picturesque and broken ground by which the first chapter of a Middle-age novel is usually attained-but when an English traveling-carriage of considerable proportions, fresh from the shady halls of the Pantechnicon, near Belgrave Square, London, was observed (by a very small French soldier; for I saw him look at it) to issue from the gate of the Hôtel Meurice, in the Rue Rivoli at Paris.

I am no more bound to explain why the English family traveling by this carriage, inside and out, should be starting for Italy on a Sunday morning, of all good days in the week, than I am to assign a reason for all the little men in France being soldiers, and all the big men postilions; which is the invariable rule. But they had some sort of reason for what they did, I have no doubt; and their reason for being there at all was, as you know, that they were going to live in fair Genoa for a year; and that the head of the family purposed, in that space of time, to stroll about, wherever his restless humor carried him.

And it would have been small comfort to me to have explained to the population of Paris generally that I was that Head and Chief; and not the radiant embodiment of good humor who sat beside me in the person of a French Courier-best of servants and most beaming of men! Truth to say, he looked a great deal more patriarchal than I, who, in the shadow of his portly presence, dwindled down to no account at all.

There was, of course, very little in the aspect of Paris-as we rattled near the dismal Morgue and over the Pont Neuf-to reproach us for our Sunday traveling. The wine-shops (every second house) were driving a roaring trade; awnings were spreading, and chairs and tables arranging, outside the cafés, preparatory to the eating of ices, and drinking of cool liquids, later in the day; shoe-blacks were busy on the bridges; shops were open; carts and wagons clattered to and fro; the narrow, up-hill, funnel-like streets across the River were so many dense perspectives of crowd and bustle, party-colored nightcaps, tobacco-pipes, blouses, large boots, and shaggy heads of hair; nothing at that hour denoted a day of rest, unless it were the appearance, here and there, of a family pleasure party, crammed into a bulky old lumbering cab; or of some contemplative holidaymaker in the freest and easiest dishabille, leaning out of a low garret window, watching the drying of his newly polished shoes on the little parapet outside (if a gentleman), or the airing of her stockings in the sun (if a lady) with calm anticipation.

Once clear of the never-to-be-forgotten-or-forgiven pavement which surrounds Paris, the first three days of traveling toward Marseilles are quiet and monotonous enough. To Sens. To Avallon. To Chalons. A sketch of one day's proceedings is a sketch of all three; and here it is:

We have four horses, and one postilion, who has a very long whip, and drives his team something like

ON a fine Sunday morning in the midsummer time, the Courier of Saint Petersburg in the circle at Ast

it was, my good friend, when-don't be alarmed; not

*This was written in 1846.

of standing on him. The immense jack-boots worn by these postilions are sometimes a century or two old; and are so ludicrously disproportionate to the

STAGE-COACHING.

wearer's foot, that the spur, which is put where his own heel comes, is generally half-way up the leg of the boots. The man often comes out of the stableyard with his whip in his hand and his shoes on, and brings out, in both hands, one boot at a time, which he plants on the ground by the side of his horse, with great gravity, until every thing is ready. When it is-and, oh Heaven! the noise they make about it !— he gets into the boots, shoes and all, or is hoisted into them by a couple of friends; adjusts the rope harness, embossed by the labors of innumerable pigeons in the stables; makes all the horses kick and plunge; cracks his whip like a madman; shouts "En routeHi!" and away we go. He is sure to have a contest with his horse before we have gone very far; and then he calls him a Thief, and a Brigand, and a Pig, and what not; and beats him about the head as if he were made of wood.

There is little more than one variety in the appearance of the country for the first two days. From a dreary plain to an interminable avenue, and from an interminable avenue to a dreary plain again. Plenty of vines there are in the open fields, but of a short, low kind, and not trained in festoons, but about straight sticks. Beggars innumerable there are everywhere; but an extraordinarily scanty population, and fewer children than I ever encountered. I don't believe we saw a hundred children between Paris and Chalons. Queer old towns, draw-bridged and walled: with odd little towers at the angles, like grotesque faces, as if the wall had put a mask on, and were staring down into the moat; other strange little towers, in gardens and fields, and down lanes, and in farm-yards: all alone, and always round, with a peaked roof, and never used for any purpose at all; ruinous buildings of all sorts; sometimes an hôtel de ville, sometimes a guard-house, sometimes a dwelling-house, sometimes a château with a rank garden, prolific in dandelion, and watched over by extinguisher-topped turrets, and blink-eyed little casements; are the standard objects, repeated over and over again. Sometimes we pass a village inn, with a crumbling wall belonging to it, and a perfect town of outhouses; and painted over the gate-way, "Stabling for Sixty Horses :" as indeed there might be stabling for sixty score, were there any horses to be stabled there, or any body resting there, or any thing stirring about the place but a dangling bush, indicative of the wine inside: which flutters idly in the wind, in lazy keeping with every thing else, and certainly is never in a green old age, though always so old as to be dropping to pieces. And all day long strange little narrow wagons, in strings of six or eight, bringing cheese from Switzerland, and frequently in charge, the whole line, of one man, or even boy-and he very often asleep in the foremost cart -come jingling past: the horses drowsily ringing the bells upon their harness, and looking as if they thought (no doubt they do) their great blue woolly furniture, of immense weight and thickness, with a pair of grotesque horns growing out of the collar, very much too warm for the midsummer weather.

Then, there is the Diligence, twice or thrice a day, with the dusty outsides in blue frocks, like butchers; and the insides in white night-caps; and its cabriolet head on the roof nodding and shaking like an id

[ocr errors]

11

iot's head; and its Young-France passengers staring out of window, with beards down to their waists, and blue spectacles awfully shading their warlike eyes, and very big sticks clenched in their National grasp. Also the Malle Poste, with only a couple of passengers, tearing along at a real good dare-devil pace, and out of sight in no time. Steady old curés come jolting past, now and then, in such ramshackle, rusty, musty, clattering coaches as no Englishman would believe in; and bony women dawdle about in solitary places, holding cows by ropes while they feed, or digging and hoeing or doing field-work of a more laborious kind, or representing real shepherdesses with their flocks-to obtain an adequate idea of which pursuit and its followers, in any country, it is only necessary to take any pastoral poem or picture, and imagine to yourself whatever is most exquisitely and widely unlike the descriptions therein contained.

You have been traveling along, stupidly enough, as you generally do in the last stage of the day; and the ninety-six bells upon the horses-twenty-four apiece-have been ringing sleepily in your ears for half an hour or so; and it has become a very jog-trot, monotonous, tiresome sort of business; and you have been thinking deeply about the dinner you will have at the next stage; when, down at the end of the long avenue of trees through which you are traveling, the first indication of a town appears, in the shape of some straggling cottages: and the carriage begins to rattle and roll over a horribly uneven pavement. As if the equipage were a great fire-work, and the mere sight of a smoking cottage chimney had lighted it, instantly it begins to crack and splutter, as if the very devil were in it. Crack, crack, crack, crack. Crack-crack-crack. Crick - crack. Crick - crack. Helo! Hola! Vite! Voleur! Brigand! Hi hi hi! En r-r-r-r-r-route! Whip, wheels, driver, stones, beggars, children, crack, crack, crack; helo! hola! charité pour l'amour de Dieu! crick-crack-crickcrack; crick, crick, crick, bump, jolt, crack, bump, crick-crack; round the corner, up the narrow street, down the paved hill on the other side; in the gutter; bump, bump; jolt, jog, crick, crick, crick; crack, crack, crack; into the shop-windows on the left-hand side of the street, preliminary to a sweeping turn into the wooden archway on the right; rumble, rumble, rumble; clatter, clatter, clatter; crick, crick, crick; and here we are in the yard of the Hôtel de l'Écu d'Or; used up, gone out, smoking, spent, exhausted; but sometimes making a false start unexpectedly, with nothing coming of it-like a fire-work to the last!

The landlady of the Hôtel de l'Ecu d'Or is here; and the landlord of the Hôtel de l'Ecu d'Or is here; and the femme de chambre of the Hôtel de l'Ecu d'Or is here; and a gentleman in a glazed cap, with a red beard like a bosom friend, who is staying at the Hôtel de l'Ecu d'Or, is here; and Monsieur le Curé is walking up and down in a corner of the yard by himself, with a shovel-hat upon his head, and a black gown on his back, and a book in one hand, and an umbrella in the other; and every body, except Monsieur le Curé, is open-mouthed and openeyed for the opening of the carriage-door. The landlord of the Hôtel de l'Ecu d'Or dotes to that extent

« AnteriorContinuar »