Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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Página 20
... typical form of the trussed timber roof . With the later pro- posals of the house theory and the apparent in- fluence of Roman domestic types on the form of the early church admitted , eclectic theorists who detected flaws in the ...
... typical form of the trussed timber roof . With the later pro- posals of the house theory and the apparent in- fluence of Roman domestic types on the form of the early church admitted , eclectic theorists who detected flaws in the ...
Página 21
... typical early Christian basilica : the sanctuary was placed at the entrance end , aisles and galleries were carried around the three remaining walls , and the typical basilican clearstory was entirely lacking . Smaller and less well ...
... typical early Christian basilica : the sanctuary was placed at the entrance end , aisles and galleries were carried around the three remaining walls , and the typical basilican clearstory was entirely lacking . Smaller and less well ...
Página 24
... typical Christian basilica . It is worth noting , too , that the Great Hypostyle Hall later added to this same temple by Rameses III adheres in plan and construction to a similar scheme , a scheme which by this time had become ...
... typical Christian basilica . It is worth noting , too , that the Great Hypostyle Hall later added to this same temple by Rameses III adheres in plan and construction to a similar scheme , a scheme which by this time had become ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff